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The Department of Slavic Languages and Literatures
Placement of Students in Language Courses
LANGUAGE PLACEMENT EXAMS
Students who have learned Russian or other Slavic languages elsewhere
and those returning from study abroad will need to take a placement
test at the beginning of the semester. Please
review language placement criteria from the selections below.
~ Students starting with 1st or 2nd year Russian
should consult with Lisa Little (lclittle@berkeley.edu,
or during her office hours), Russian Language Coordinator, about
placement in the lower-division language courses (Slavic 1, 2, 3,
4 and 6A-B). Whenever possible students
should contact Ms. Little far in advance of the first week of classes
for screening and placement.
~ Students needing placement screening for third-year
Russian (Slavic 103A-B, etc.) or testing for the Letters and
Science foreign language requirement for Russian should
consult with Dr. Arkady Alexeev (arkalexeev@yahoo.com,
or during his office hours).
~ Heritage speakers of Russian considering a major or minor
track requiring Russian must make an appointment with the
Undergraduate Staff or Major Adviser to obtain information specific
to their individual language requirements and to be referred for
the proficiency/placement exam.
~ Students of East European or Eurasian languages
should consult with the appropriate Language Coordinator for proficiency
testing and placement. See coordinators
list below.
Czech and Polish:
Luba Golburt, lgolburt@berkeley.edu
Bulgarian and BCS (Bosnian, Croatian, Serbian):
Ronelle Alexander, ralex@berkeley.edu
Eurasian Languages:
Johanna Nichols, jbnichols@berkeley.edu
~ Transfer students and those enrolling in study abroad
programs should consult with the Major Adviser regarding
course equivalents accepted by the Department.
Note: The language supervisors and
teaching staff make the final determination regarding language level
placement in language courses.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ANNOUNCEMENT FOR NATIVE
OR HERITAGE SPEAKERS ENROLLING IN UPPER-DIVISION POLISH, CZECH,
BCS, OR BULGARIAN LANGUAGE COURSES
Enrollment in Slavic 115AB, 116AB, 117AB, 118AB
is limited to non-native and heritage speakers. Native speakers
- defined as those who
have completed eighth-grade education (or higher) in the country
of their birth - may enroll only with permission of the instructor.
Such students are welcome, however, in literature and culture courses
taught in the original language (Slavic 151-152, 161-162, 171-172).
Quick Reference to Courses
RUSSIAN:
1,2: Elementary Russian
3,4: Intermediate Russian (International
Breadth)
6A: Introductory Russian for Heritage Speakers
103A: Advanced Russian (Part 1)
105A: Advanced Russian-English,
English-Russian Translation
120A: Advanced Russian Conversation
and Communication
190: Russian Culture Taught in Russian
OTHER SLAVIC LANGUAGES:
25A: Introductory Polish
26A: Introductory Czech
27A: Introductory Bosnian/Croatian/Serbian
115A: Advanced Polish
116A: Advanced Czech
117A: Advanced Bosnian/Croatian/Serbian
118A: Advanced Bulgarian
READING AND COMPOSITION COURSES:
R5A-1: Dissected Frogs
and Talking Dogs: Science and Scientists Through the Lens of Literature
R5A-2: Literary Mind Games:
Masters of Narrative Manipulation
R5A-3: Domestic Economies:
Money and Private Life
R5B-2: Psychogeography:
Writing about the City
R5B-3: Gogol, Marx and
Stalin walk into a bar: Laughter in Russian Literature
LITERATURE AND CULTURE COURSES, satisfy L&S breadth requirements:
24: Freshman Seminar: The
Brothers Karamazov: Let's Read It Together (Arts
& Literature)
45: Nineteenth-Century Russian Literature
(Arts & Literature)
134D: Tolstoy
(Philosophy & Values OR Arts & Literature)
134F: (Cross-listed with
English 166, Sec. 2): Nabokov (Arts
& Literature)
134R: Research for 134D
140: (Cross-listed
with Theater Arts 166, Sec. 4): The Performing Arts in Russia
in the 20th Century: Russian Drama: Text and Performance
(Arts & Literature)
151: Readings in Polish Literature
(Arts & Literature)
158: Topics in Russian/East European/Eurasian
Cultures: The Rise and Fall of Yugoslavia (Historical
Studies OR Social and Behavioral Sciences)
190: Russian
Culture Taught in Russian: Russian History (Historical
Studies OR Social and Behavioral Sciences)
GRADUATE COURSES:
200: Graduate Colloquium
204: Russian Composition and Style:
Discourse Analysis
245A: Readings in Russian Romanticism
246A: Russian Modernism (1890s-1920s)
280-1: Graduate Literature Seminar:
Film and Architecture
280-2: Graduate Seminar: Balkan
Linguistics
280-3: Graduate Linguistics Seminar
COURSES IN PEDAGOGY:
301-1: Teaching Methodology: Slavic
1-4, 25A
301-2: Teaching Methodology: Reading
& Composition
301-3: Teaching Methodology: 27A,
117A, 118A
310: Internship in the Teaching
of Literature/Linguistics
EAST EUROPEAN AND EURASIAN STUDIES:
EE 1A: Elementary Hungarian
EE 2A: Introductory Romanian
EE 100: Advanced Hungarian Readings
EE 102: Continuing Romanian NEW
COURSE FALL 2010!
EURA ST 1A: Beginning Armenian
EURA ST 101A: Continuing
Armenian
Course Descriptions
Slavic 1 & 2 (5 units each)
Lisa Little (Instructor-in-Charge)
lclittle@berkeley.edu
Slavic 1 sections meet M-F 9-10, 11-12 and
1-2
Slavic 2 sections meet M-F 11-12
IF YOU SPEAK MOSTLY RUSSIAN AT HOME
WITH YOUR PARENTS OR GRANDPARENTS (even if you cannot read and write
in Russian and even if you make some mistakes in your spoken Russian
or occasionally switch to English), YOU SHOULD ENROLL IN SLAVIC
6A in the Fall Semester, 6B in the Spring Semester by permission
of instructor. This course was created specifically to fit the needs
of “heritage” speakers, which are quite different from
those of non-heritage second-language learners. (If you were born
in Russia or one of the former Soviet republics and went to school
there or if you have been speaking and reading Russian regularly
in this country, you may want to consider Slavic 105A/B or 181,
182, or 190.)
Elementary Russian
Comprehensive program for the study of Russian language and culture.
No knowledge of Russian is presumed for Slavic 1. Focus on proficiency
in all four skills ("language in context" /listening,
reading, speaking, writing/) and the fundamentals ("building
blocks" /grammar and vocabulary/). Classes conducted primarily
in Russian.
By the end of Slavic 2, students will have most of the grammar,
vocabulary, and cultural knowledge needed to begin functioning in
Russian. Students who have completed this program have placed into
the fourth and fifth semesters at Middlebury (a prestigious summer
language immersion program).
Grades based on participation, completion of homework assignments,
oral tests, written compositions, chapter tests, and a final (a
computerized standardized test that is weighted less than a chapter
test and may be taken anytime during the last two weeks up to the
scheduled final time).
Required Texts: (Available
Through ASUC's Cal Textbooks)
Note: IF YOU BUY THE TEXTBOOK ONLINE,
please make sure you get the SECOND EDITION. (McClellan should be
listed as one of the authors.) In addition, you must buy the WORKBOOK/LAB
MANUAL, which will be sold shrink-wrapped with the textbook at a
slight discount at Cal Textbooks in the ASUC. The bookstore package
will also include the CD that goes with the textbook, which is important
when you are learning the alphabet, but not as essential as the
other two parts.
Slavic 1:
Lubensky, Ervin, McClellan, & Jarvis, NACHALO When in Russia...,
Book 1 with Cassette Tape or CD and Workbook/Lab Manual.
Slavic 2:
Lubensky, Ervin, McClellan, & Jarvis, NACHALO When in Russia…,
Book 2 with Cassette Tape or CD and Workbook/Lab Manual.
Optional:
English Grammar for Students of Russian by Edwina Cruise
(strongly recommended for students with little or no knowledge of
grammar in general or who want to see Russian grammar contrasted
with that of English).
Shaum's Russian Grammar by James S. Levine (for students
who want to see the whole picture, although may be more useful in
Slavic 2-4).
Romanov's Russian-English, English-Russian Dictionary or
the English-Russian, Russian-English Dictionary by Kenneth
Katzner or free on-line dictionaries (such as http://lingvo.ru;
http://multitran.ru; and http://slovari.gramota.ru).
STUDENTS WHO WANT TO GET A HEAD START CAN BEGIN LEARNING
THE RUSSIAN ALPHABET:
If you have already purchased Nachalo, you can start learning
the printed and cursive letters (and their sounds) in the textbook
and workbook. If you haven't, or want more practice, you can go
to the following sites and see which ones work best for you:
http://masterrussian.com/blalphabet.shtml
Alphabet in print and cursive. Pronunciation of all the letters
of the Russian alphabet – scroll to bottom if you want to
hear all the letters read quickly all at once instead of one by
one. (You might also want to click on the “live cams”
button – or any of the others - on the left for fun.)
http://www.humnet.ucla.edu/russian/quickstart.html
Simple Russian words with pictures and sound.
http://community.middlebury.edu/~beyer/RT/pages/signs/signs.shtml
Alphabet in print + Russian signs for practice. Also: http://community.middlebury.edu/~beyer/publications/rabc/RABC.shtml
individual words pronounced.
http://www.alphadictionary.com/rusgrammar/index.html
The Cyrillic alphabet (lots of cognates to practice the alphabet)
and the rules of pronunciation [also lots of information about grammar
at this site].
http://langintro.com/rintro/first.htm
“A different game”: practice with sound and words.
http://www.auburn.edu/~mitrege/RWT/welcome.html
Need to have Nachalo textbook for this one. Extra practice.
Prerequisites: Slavic 1 has no prerequisites
as it assumes no previous knowledge of Russian. SLAVIC 1 IS THE
PREREQUISITE FOR SLAVIC 2. If you have not taken the previous
semester here, SCREENING AND PLACEMENT IS MANDATORY with our department’s
Russian Language Coordinator to determine the best placement for
you. Prospective students must contact Lisa Little, our department’s
Russian Language Coordinator, at: lclittle@berkeley.edu
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Slavic 3 & 4 (5 units each)
Lisa Little (Instructor-in-Charge)
lclittle@berkeley.edu
SECTIONS MEET M-F 11-12 FOR BOTH SLAVIC 3
& 4
L&S Breadth: Both Slavic 3 and 4 Count
as International Breadth
IF YOU SPEAK MOSTLY RUSSIAN AT HOME
WITH YOUR PARENTS OR GRANDPARENTS (even if you cannot read and write
in Russian and even if you make some mistakes in your spoken Russian
or occasionally switch to English), YOU SHOULD ENROLL IN SLAVIC
6A in the Fall Semester, 6B in the Spring Semester with permission
of the instructor. This course was created specifically to fit the
needs of “heritage” speakers, which are quite different
from those of non-heritage second-language learners. (If you were
born in Russia or one of the former Soviet republics and went to
school there or if you have been speaking and reading Russian
regularly in this country, you may want to consider Slavic 105A/B
or 181, 182, 190.)
Intermediate Russian
Comprehensive program for the study of Russian language and culture.
Focus on proficiency in all four skills ("language in context"
/listening, reading, speaking, writing/) and the fundamentals ("building
blocks" /grammar and vocabulary/).Classes conducted in Russian.
By the end of Slavic 4, students will have developed considerable
control of the grammar, a fairly extensive vocabulary, and much
of the functional and cultural knowledge needed to communicate effectively
in Russian. Students who have completed this program have had great
success in various summer programs in the U.S. and Russia and the
Moscow EAP Advanced Program.
Grades based on participation, completion of homework assignments,
oral interviews, written compositions, chapter tests, and a final
(a computerized standardized test that is weighted less than a chapter
test and may be taken anytime during the last two weeks up to the
scheduled final time).
Required Texts: (Available Through ASUC's
Cal Textbooks)
Slavic 3 & 4:
Note: IF YOU BUY THE TEXTBOOK ONLINE,
please make sure you get the SECOND EDITION. (Kudyma should be listed
as one of the authors.) In addition, you must buy the WORKBOOK/LAB
MANUAL, which will be sold shrink-wrapped with the textbook at a
slight discount at Cal Textbooks in the ASUC.
Kagan, Miller, & Kudyma, V Puti: Russian Grammar in Context,
Second Edition and workbook/lab manual.
Recommended:
Schaum's Russian Grammar by James S. Levine
Romanov’s Russian-English English-Russian Dictionary
or Kenneth Katzner, English-Russian Russian-English Dictionary
Prerequisites: SLAVIC 2 IS THE PREREQUISITE
FOR SLAVIC 3; SLAVIC 3 IS THE PREREQUISITE FOR SLAVIC 4. If you
have not taken the previous semester here, SCREENING AND
PLACEMENT IS MANDATORY with our department’s Russian Language
Coordinator to determine the best placement for you. Prospective
students must contact Lisa Little, our department’s Russian
Language Coordinator, at: lclittle@berkeley.edu
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Slavic R5A, Section 1 (4 units)
Staff TBA
MWF 8-9
Reading
and Composition Course
Dissected Frogs and Talking Dogs: Science
and Scientists Through the Lens of Literature
This course will consider the ways in which nineteenth-
and early twentieth-century European authors utilize the natural
sciences, scientists and doctors, and scientific discourse in artistic
texts. We will consider some of the themes and conflicts to which
science readily lends itself (e.g. reason vs. faith, nature vs.
culture, freedom vs. determinism, etc.); the use of scientists and
practitioners of medicine as fictional protagonists; the typical
plots engendered by questions of and anxieties about heredity and
biology; and some literary and cultural responses to Charles Darwin's
theory of evolution.
In addition to close readings of literary texts, students will
also be expected to write a series of papers and perform in-class
writing exercises. As the ultimate purpose of the course is to improve
students' analytical writing skills, we will dedicate time, both
in and outside of class, to: grammar and sentence construction;
style and technique; the development of persuasive arguments; and
the reworking of drafts into well-written papers.
This course satisfies the first half
or the “A” portion of the Reading and Composition requirement.
Texts:
Charles Darwin: selections from The Origin of Species (1859)
[Course reader]
Ivan Turgenev: Fathers & Sons (1862) [Norton, trans.
Michael Katz, 978-0393967524)
Robert L. Stevenson: Dr. Jekyll and Mr. Hyde (1886) [Course
reader]
Anton Chekhov: “The Duel” (1891) [Course reader]
Emile Zola: Doctor Pascal (1896) [Echo, trans. Mary Serrano,
978-1406824360]
Mikhail Bulgakov: The Heart of a Dog (1925) [Grove, trans.
Mirra Ginsburg, 978-0802150592]
Osip Mandelstam: “Lamarck,” “Journey to Armenia”
(1932, 1933) [Course reader]
Andrei Platonov: Happy Moscow (1933) [Random House, trans.
Robert Chandler, 978-1846553424]
Michael Harvey: The Nuts and Bolts of College Writing (2003)
[Hackett, 978-0872205734]
Prerequisite: Successful completion
of the UC Entry Level Writing Requirement.
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Slavic R5A, Section 2 (4 units)
GSI: Katy Sosnak, katy_sosnak@berkeley.edu
TT 3:30-5
Reading
and Composition Course
Literary Mind Games: Masters of Narrative
Manipulation
We are taught that, by reading, we can both understand
the world and increase our knowledge, yet what do we do when we
are faced with literary works that obstruct and complicate this
seemingly natural process? Confronted with unreliable narrators
in whom we lack trust due to their possible madness and fragmented
storytelling, how do we unlock the “secret” of the
text and uncover meaning? In this course, we will examine a series
of texts by Russian and American authors, investigating their
mode of narration (first- vs. third-person and/or alternating
perspectives), shifting time frames, use of delirium and paranoia,
as well as the historical circumstances that inform them. The
ultimate question that will guide our reading: Can we find stability
in the unstable worlds that these works present, or will we fall
prey to their narrative manipulation?
The main goal of this course is to teach students
how to write successful analytical and scholarly essays. This
entails that students actively engage with the literature, and
both prepare for and participate in class discussions. In addition
to several full-length essays (5-8 pages) and one revision, there
will be short writing assignments, several in-class writing workshops
and one film screening (Akira Kurosawa's Rashomon, 1950)
throughout the course of the semester.
This course satisfies
the first half or the “A” portion of the Reading and
Composition requirement.
Texts:
Fyodor Dostoevsky, The Eternal Husband (1870), [Bantam,
translated by Pevear and Volokhonsky, 978-0553214444)
Charlotte Perkins Gilman, “The Yellow Wallpaper” (1892),
[Course Reader]
Henry James, The Turn of the Screw (1898), [Penguin,
978-0140620610]
Leonid Andreyev, The Red Laugh (1904), [Course reader]
Aleksandr Kuprin, “Staff-Captain Rybnikov” (1905),
[Course Reader]
Fyodor Sologub, The Petty Demon (1907), [Ardis, translated
by S.D. Cioran, 978-0882338088]
Yuri Olesha, Envy (1927), [in The Portable Twentieth-Century
Russian Reader, Penguin, translated by Clarence Brown, 978-0142437575]
Sigizmund Krzhizhanovsky, “Quadraturin” (1926) and
“The Thirteenth Category of Reason” (1927), [Course
Reader]
Vladimir Nabokov, The Eye (1930), [Vintage, 978-0679727231]
Michael Harvey, The Nuts and Bolts of College Writing
[Hackett, 978-0872205734]
Prerequisite: Successful completion
of the UC Entry Level Writing Requirement.
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Slavic R5A, Section 3 (4 units)
GSI: Jillian Porter, jillianporter@berkeley.edu
TT 3:30-5
Reading
and Composition Course
Domestic Economies: Money and Private
Life
As a government-issued object people handle on
a daily basis, money mediates between the public and the private
spheres. Each time people spend money, their most private interests
and desires enter into circulation in the international networks
of exchange that connect people to one another and to corporations
and governments around the globe. Conversely, money serves as
the medium through which those broad networks of exchange impact
the lives of ordinary individuals. This course will explore
texts in which money helps to structure major aspects of private
life such as the home, the emotions, and the body. We will consider
how money’s role in private life changes in works of different
genres, national literary traditions, and historical epochs,
paying particular attention to how Russian literature imagines
the relationship between the small-scale transactions of private
citizens and large-scale economic institutions and processes.
We will examine the poetics of spending, saving, gambling, giving,
hoarding and hyperinflation in relation to the decline of the
nobility, the end of serfdom, the Russian Revolution, the fall
of the Soviet Union, and the rise of capitalist entrepreneurialism
and consumerism.
The purpose of this course is to teach students
how to write successful analytical essays. The class discussions
will focus on close analysis of the readings in order to help
students develop ideas and theses for their papers. Class participation
will be required of all students. In addition to analytical
content, the course will emphasize stylistic and structural
elements of writing. Students will complete writing exercises
as well as three progressively longer papers of 2-3, 4-5, and
8-10 pages. The second and third papers will undergo substantial
revision and peer editing.
This course satisfies
the first half or the “A” portion of the Reading
and Composition requirement.
Texts:
Pushkin, “The Queen
of Spades”
Gogol, “Old World Landowners” and “The Overcoat”
Melville, “Bartleby the Scrivener”
Dostoevsky, “Mister Prokharchin”
Poe, “The Gold Bug”
Chekhov, The Cherry Orchard
Zoshchenko, “The Lady Aristocrat” and other stories
Petrushevskaya, The Time: Night
Pelevin, Homo Zapiens
Film screening:
Stroheim, Greed
Prerequisite: Successful completion
of the UC Entry Level Writing Requirement.
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Slavic R5B, Section 2 (4 units)
GSI: Mieka Erley, merley@berkeley.edu
MWF 3-4
Reading
and Composition Course
Psychogeography: Writing about the City
Marxist
theorist Guy Debord coined the term 'psychogeography' in 1955
to describe his revolutionary movement to liberate the city
from the stifling culture of capitalism. In this ‘B’
level Reading and Composition course, we will expand on his
term to consider the broader relationship of the human mind
to urban geographies. How do literary production and the unique
environment of the city bear on one another? We will consider
not only formal problems of textual production, but will also
explore chance crossings, multi-cultural environments, poverty,
dystopia, utopia, sensory overload, and other phenomena associated
with the city. Theoretical readings, films, and visual materials
will accompany our literary readings.
This course satisfies
the second half or the “B” portion of the Reading
and Composition requirement.
Texts:
Virginia Woolf, Mrs. Dalloway
Andrei Bely, Petersburg
Evgeny Zamyatin, We
Edgar Allen Poe, "The Man of the Crowd"
Ben Katchor, "The Beauty Supply District"
Prerequisite: Successful completion
of the “A” portion of the Reading and Composition
requirement or its equivalent.
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Slavic R5B, Section 3 (4 units)
GSI: Katya Balter, kbalter@gmail.com
TT 8-9:30
Reading and
Composition Course
Gogol, Marx and Stalin walk into a bar: Laughter in Russian
Literature
Cold dark snow-swept streets, hunger, poverty,
existential angst, duels, madness, suicide… Dare Russian
literature ever be funny? By examining moments of absurdity,
satire, irony, and even slap-stick humor in Russian and American
literature of the nineteenth and twentieth century, we will
explore those famous ‘big questions’ of life,
death and inevitable bread lines from a slightly different
angle. We will think about the different techniques authors
deploy to create comic effects, learn to analyze humor on
a textual, thematic and cultural level. What is the role of
laughter in the cultural imagination: why and when do people
laugh? What is the connection between laughter and horror,
laughter and fear, laughter and the sublime?
The concurrent aim of this course is to improve
your writing skills; therefore, in addition to the four formal
papers, a variety of writing exercises are integrated throughout.
Expect response papers (in-class and out), close reading exercises,
brainstorming and paper planning sessions, and even some creative
assignments. The research component of this class aims to
familiarize students with critical sources and theoretical
approaches. To this end, we will read critical essays and
literary criticism, conduct journal surveys, tour the library,
etc. The aim of the final research paper is to place your
work in dialogue with various critical approaches and analyses.
This course satisfies
the second half or the “B” portion of the Reading
and Composition requirement.
Texts:
Collected Short Stories, N. Gogol (trans: Pevear
and Volokhonsky)
Envy, Y. Olesha (trans: M. Schwartz)
Moscow to the End of the Line, V. Erofeev (trans:
H. W. Tjalsma)
Homo Zapiens, V. Pelevin (trans: A. Bromfield)
Films:
Volga-Volga (1938) G. Aleksandrov
Twelve Chairs (1970) Mel Brooks
Course reader includes selections from:
A. Chekhov, M. Twain, O. Henry, I. Babel’, Ilf and Petrov,
M. Zoshchenko, D. Kharms, S. Dovaltov, Y. Aleshkovsky, E.
Limonov, V. Voinovich, S. Freud, M. Bakhtin, H. Bergson, F.
Nietzsche, K. Marx, excerpts from Stalin’s speeches.
Prerequisite: Successful completion
of the “A” portion of the Reading and Composition
requirement or its equivalent.
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DO YOU
SPEAK (BUT NOT READ OR WRITE) FLUENT RUSSIAN?
Slavic 6A (3 units)
Arkady Alexeev, arkalexeev@yahoo.com
MWF 11-12
Introductory Russian for Heritage Speakers
This course is aimed at "heritage
speakers" of Russian, i.e., those who grew up speaking
Russian in the family without a native Russian's full
educational and cultural background. Introductory course
teaches basic skills of literacy, grammar, and reading.
Students with advanced reading proficiency should
consider Slavic 105A/B, 181, 182 or 190.
Required Texts:
O. Kagan, Akishina T., Robin R., Russian for Russians:
Textbook for Heritage Speakers
Recommended:
Romanov’s Russian-English English-Russian
Dictionary or Kenneth Katzner, English-Russian
Russian-English Dictionary.
STUDENTS WHO CANNOT READ OR WRITE
RUSSIAN MAY WANT TO START LEARNING THE ALPHABET FROM
ONE OF THE FOLLOWING SITES OR THEIR PARENTS BEFORE
THE BEGINNING OF THE SEMESTER:
http://masterrussian.com/blalphabet.shtml
Alphabet in print and cursive. Pronunciation of all
the letters of the Russian alphabet – scroll to
bottom if you want to hear all the letters read quickly
all at once instead of one by one. (You might also want
to click on the “live cams” button –
or any of the others - on the left for fun.)
http://www.lang.ourfamily.com/propisi/pr1-index.html
Practice with cursive (you can ignore the pictures of
animals, etc., but get a sense of how the letters are
written as words).
http://www.humnet.ucla.edu/russian/quickstart.html
Simple Russian words with pictures and sound.
http://community.middlebury.edu/~beyer/RT/pages/signs/signs.shtml
Alphabet in print + Russian signs for practice. Also:
http://community.middlebury.edu/~beyer/publications/rabc/RABC.shtml
individual words pronounced.
http://www.alphadictionary.com/rusgrammar/index.html
The Cyrillic alphabet (lots of cognates to practice
the alphabet) and the rules of pronunciation [also lots
of information about grammar at this site].
http://langintro.com/rintro/first.htm
“A different game”: practice with sound
and words.
Prerequisites:
Fluent speaking ability in Russian. Consent of instructor.
Prospective students
may contact Dr. Alexeev for Russian language assessment
and consent to participate in this course: arkalexeev@yahoo.com
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Slavic 24 (1 unit, Pass/Not
Pass ONLY)
Hugh McLean, hmclean@berkeley.edu
F 9-11, 6115 Dwinelle
Freshman Seminar: "The Brothers
Karamazov: Let's Read It Together"
L&S Breadth:
Arts & Literature
This seminar is a collective exploration of this
great novel, seen both as a work of literary art and
as a response to philosophical issues of its time.
No knowledge of Russian is required, nor are there
any special qualifications. No term paper. Grade will
be based on class attendance and participation.
Hugh McLean is a Professor Emeritus
of Slavic Languages and Literatures at UC Berkeley.
He has taught a wide range of courses on Russian literature
and was an active member of the faculty from 1967
to 1994. Since then he has been recalled to teach
regular courses and more recently has taught Freshman-Sophomore
and Freshman seminars.
Text: Fedor Dostoevsky,
The Brothers Karamazov
Prerequisites: Freshman
standing.
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Slavic 25A (5 units)
Course Supervisor: Prof. Golburt, lgolburt@berkeley.edu
GSI: Malgorzata Szajbel-Keck, szajbelkeck@berkeley.edu
M-F 12-1
Introductory Polish
THE 25A-25B COURSE SEQUENCE BEGINS IN THE FALL TERM
ONLY.
This course provides key information needed for understanding Polish
texts and conversations and essential for active verbal and written
communication in Polish. You will learn through classroom exercises
based on a modern textbook, completion of individual and group assignments,
work with various audio materials, and some supplementary readings
as assigned. The course will contain the following major components:
grammar, pronunciation, reading, some translation of short texts,
writing short texts, conversation about a variety of topics.
The introductory fall 25A course, followed by the spring 25B course,
introduces the modern standard Polish language, and is taught in
Polish with explanations in English if necessary. The course is
designed for beginners with no or introductory skills in understanding
and using Polish language. Class attendance as well as active participation
in exercises and conversations is expected. Ability to work in a
team is a desired and especially valued skill.
All assignments shall be completed on time. All missed assignments
and exams have to be made up for. Your final grade will be based
on your accumulation of points gained through attendance, completion
of homework assignments, midterm exams and the final exam. In addition
your final grade will be impacted by your active participation and
ability to cooperate with fellow students.
Texts:
Set of 2 books “HURRA!!! POLISH 1” with CDs
(student’s book + workbook):
PO POLSKU 1. PODRECZNIK STUDENTA, Malgorzata
Malolepsza, Aneta Szymkiewicz, ISBN 83-60229-00-7, ISBN 978-83-60229-16-3.
PO POLSKU 1. ZESZYT CWICZEN, Malgorzata
Malolepsza, Aneta Szymkiewicz, ISBN 83-60229-01-5.
Prerequisites: None for 25A; 25B presumes a knowledge
of 25A or equivalent.
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Slavic 26A (5 units)
Ellen Langer, erlanger@berkeley.edu
M-F 9-10
Introductory Czech
THE 26A-26B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
The sequence of 26A (Fall) and 26B (Spring) emphasizes development
of communicative skills, vocabulary, and grammatical competence.
The textbook covers a range of communicative situations, the fundamentals
of Czech grammar, and basic vocabulary. At the same time, the course
provides an introduction to Czech culture through film, music, and
short readings in Czech, including excerpts from Czech poetry and
prose, history, social studies, and current events. Daily homework,
midterm, oral, and final exams.
Texts:
Kresin et al, Czech for Fun, 2nd edition
Kresin et al, Czech for Fun Workbook, 1st edition
OPTIONAL reference grammar: Heim, Contemporary Czech
Additional materials provided in class.
Prerequisites: None for 26A; 26B presumes a knowledge
of 26A or equivalent.
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Slavic 27A (5 units)
Course Supervisor: Ronelle Alexander, ralex@berkeley.edu
GSI: Emina Musanovic
M-F 12-1
Introductory Bosnian/Croatian/Serbian
THE 27A-27B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
An introduction to Bosnian, Croatian, and Serbian with explanation
of major differences (from both a linguistic and sociocultural viewpoint)
and the common grammatical core. Development of communication skills
(listening, speaking, reading, writing). Daily homework assignments,
weekly quizzes, midterm and final.
Texts:
Ronelle Alexander and Ellen Elias-Bursac, Bosnian, Croatian,
Serbian: A Textbook with Exercises and Basic Grammar (required)
Ronelle Alexander, Bosnian, Croatian, Serbian: A Grammar with
Sociolinguistic Commentary (recommended)
Prerequisites: None for 27A; 27B presumes a knowledge
of 27A or equivalent.
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Nineteenth-Century Russian Literature
L&S Breadth: Arts & Literature
During the semester we will be reading some of the celebrated
works of the Russian nineteenth-century, from Pushkin through Gogol,
Turgenev, Dostoevskii and Tolstoi to Chekhov.
It is the nineteenth century that poses the decisive questions
of Russian modernity: the quest for an identity for the nation and
its language, the problem of literary realism, the responsibilities
of literature as an agent for social change, the status of the writer
within changing social hierarchies, the correlation of the personal
and the collective, the political and the metaphysical. These are
decades of formal exploration and cultural anxiety, existential
doubt and political denunciation. To define the nineteenth century
and its questions and make them speak to us will be our goal this
semester.
Our interest will focus primarily on the novel, but will also touch
on related genres such as the novel-in-verse, and the short story.
The course is a prerequisite for admission to the Slavic major
and is recommended for prospective graduate students in Slavic.
No knowledge of Russian is required; the classes are conducted in
English.
Texts:
Pushkin, Eugene Onegin, trans. James E. Falen, Oxford UP
Lermontov, A Hero of Our Time, trans. Paul Foote, Penguin*
Gogol, The Collected Tales of Nikolai Gogol, trans. Richard
Pevear, Larissa Volokhonsky, Vintage*
Turgenev, Fathers and Children, trans. Michael R. Katz,
Norton Critical Edition
Dostoevsky, Crime and Punishment, trans. Richard Pevear,
Larissa Volokhonsky, Vintage Classics
Tolstoi, Great Short Works of Leo Tolstoy, trans. John
Bayley
Chekhov, The Portable Chekhov, ed. Avrahm Yarmolinsky,
Viking Portable Library
Prerequisites: None.
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Slavic 103A (4 units)
Arkady Alexeev, arkalexeev@yahoo.com
MWF 9-10
Advanced Russian (Part I)
This course covers three main aspects of an advanced Russian
course: grammar, syntax, and readings. The grammar is reviewed.
Syntax deals with the practical aspects of simple and compound sentences.
Readings introduce the best Russian authors. The course is taught
in Russian. There are weekly quizzes on grammar, syntax, and reading,
one midterm and the final exam. Weekly discussion or conversation
section. Grades are based on: quizzes 30%, midterm 30%, final 40%.
Texts:
I. Pulkina, Russian (1997 version)
Advanced Russian Syntax Part II, Russian reader (photocopied)
Glossary for the Russian Reader
Prerequisites: Slavic 4 or equivalent.
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Slavic 105A (3 units)
Anna Muza, amuza@berkeley.edu
TT 12:30-2
Advanced Russian-English/English-Russian Translation
A practical study of the grammatical, lexical, stylistic difficulties
and challenges peculiar to the English-Russian and Russian-English
translation. The course will be based on a close analysis and written
translation of a broad range of authentic English and Russian materials,
such as literary texts and public documents, official correspondence
and publications in the press. The emphasis will be on idiomatic
patterns of speech and expression, and cross-cultural communication.
This course will be offered Fall 2010 as a non-variable unit course
for 3 units.
The course is intended for students with an advanced knowledge
of Russian, including heritage speakers.
Workload: There will be weekly written assignments
and a final project.
Texts: all materials supplied in class.
Prerequisites: Slavic 1, 2, 3 and 4 or equivalent,
or consent of instructor.
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Slavic 115A (4 units)
Staff TBA
MWF 10-11
Advanced Polish
This course gives you an opportunity to broaden your knowledge
about Polish grammar and how to use it in active communication.
The goal of the course is to improve the fluency of your oral and
written communication skills in Polish. You will learn through classroom
exercises based on a modern textbook, completion of individual and
group assignments, work with various audio materials, and some supplementary
readings as assigned. The course will contain the following major
components: grammar, pronunciation, reading, writing short essays
and other short texts, some translation of short texts, some dictations,
and conversation about a variety of topics.
The advanced fall 115A course, followed by the spring 115B course,
focuses on the modern standard Polish language and is taught in
Polish with explanations in English if necessary. The course is
designed for students who have completed the 25B course and students
with intermediate and advanced skills in understanding and using
Polish language. Class attendance as well as active participation
in exercises and conversations is expected. Ability to work in a
team is a desired and especially valued skill. All assignments shall
be completed on time. All missed assignments and exams have to be
made up for. Your final grade will be based on your accumulation
of points through class attendance, completion of homework assignments,
midterm exams and final exam. In addition your final grade will
be impacted by your active participation and ability to cooperate
with fellow students.
Tentative Texts:
Set of 2 books “HURRA!!! POLISH 2”
with CDs (student’s book + workbook):
PO POLSKU 2. PODRECZNIK STUDENTA, Agnieszka Burkat, Agnieszka
Jasinska, ISBN 83-60229-03-1
PO POLSKU 2. ZESZYT CWICZEN, Agnieszka Burkat, Agnieszka
Jasinska, ISBN 83-60229-13-9
Prerequisites: Slavic 25B or permission of the
instructor.
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Slavic 116A (4 units)
Ellen Langer, erlanger@berkeley.edu
MWF 10-11
Advanced Czech
Grammar review, advanced grammar topics, vocabulary development,
improvement of reading, writing, listening, and speaking competence/confidence.
Readings consisting of literary texts and short readings in history,
music, art; grammar notes and exercises to be handed out in class.
Students will read in a variety of subject areas to develop a well-rounded
vocabulary and historical and cultural framework. Weekly writing
assignments such as journal-keeping and short essays or dialogs.
Listening comprehension exercises based on classics of Czech film
and on audio CDs/tapes. Written homework, reading assignments, midterm,
oral report, and final exam.
Texts (subject to change):
Chcete jeste lepe mluvit cesky? v. 2
Josef Fronek, English-Czech, Czech-English Dictionary
Other readings provided (internet sources where possible).
Prerequisites: Slavic 26B or consent of instructor.
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Slavic 117A (4 units)
Course Supervisor: Prof. Alexander, ralex@berkeley.edu
Instructor TBA
MWF 10-11
Advanced Bosnian/Croatian/Serbian
Spoken and written language; advanced grammar review. Some
discussion of the contemporary sociolinguistic situation as it relates
to language use. Short oral reports and writing practice. Grades
based on class participation, midterm and final exam.
Texts:
Ronelle Alexander and Ellen Elias-Bursac, Bosnian, Croatian
Serbian: A Textbook with Exercises and Basic Grammar (required)
Ronelle Alexander, Bosnian, Croatian, Serbian: A Grammar with
Sociolinguistic Commentary (recommended)
Packet of course materials available from instructor.
Prerequisites: Slavic 27B or permission of instructor.
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Slavic 118A (4 units)
Course Supervisor: Prof. Alexander, ralex@berkeley.edu
GSI: Cammeron Girvin, cgirvin@berkeley.edu
MWF 12-1
Advanced Bulgarian
Review of grammar covered in Introductory Bulgarian
28A-B. Thorough presentation of the complex verbal tense-mood
system. Readings in contemporary Bulgarian prose and poetry. The
course will be conducted partially in Bulgarian. Workload will
include reading, translations, preparation of oral reports; midterm;
final.
Texts:
Alexander, Intensive Bulgarian, Volumes 1 & 2
Xeroxed materials
Prerequisites: Slavic 28B or permission
of instructor.
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Slavic 120A (2 or 3 units)
Lisa Little, lclittle@berkeley.edu
6112 Dwinelle; 510/642-4158
MWF 1-2
Advanced Russian Conversation and Communication
This course focuses on oral communication skills.
The goal is to help students develop confidence and begin to feel
comfortable conversing in Russian on various topics beyond routine
social and survival needs. Since communication often breaks down
when comprehension is poor, part of the class will be devoted to
improving listening skills and building vocabulary.
The course may be taken for two or three credits.
Those students taking the course for two credits will come to class
on Mondays and Wednesdays and do the assignments for those days.
Students who choose to take the course for three credits will attend
on Fridays as well. Together they will decide on a project (or projects)
for the semester. It might be publishing a newspaper, writing and
staging a play, filming a movie... or, judging by previous semesters,
students may prefer to each take a turn planning and directing an
interactive class based on their own interests (in consultation
with the instructor).
The Monday/Wednesday students will have regular home assignments
to prepare for the next day’s class. There will be an oral
test (one-on-one with the instructor) every 3 weeks or so. At the
end of the semester there will be a final oral interview (with a
less formal one at the beginning of the semester as a point of comparison).
Texts: All materials to be supplied by instructor
during the course of the semester.
Prerequisites: Slavic 4 or consent
of instructor.
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Slavic 134D (4 units)
Irina Paperno, ipaperno@berkeley.edu
MWF 1-2
Leo Tolstoy
L&S Breadth: Philosophy & Values
OR Arts & Literature
As Leo Tolstoy lay dying, in the early days of November, 1910,
at a remote railway station, Astapovo, the whole world seemed to
watch. A hundred years later, his writings and his image have retained
enormous power. A great novelist, Tolstoy has been also known as
a moral philosopher, innovative psychologist, aspiring historian,
religious reformer, and social activist. The questions "How
to live?" and "How to die?" were a no less important
part of Tolstoy's creative endeavors. One critic called him "not
a man, but an institute for the study of himself." At the time
of his death, Tolstoy's authority in Russian society was immense.
A contemporary journalist called him a "second Tsar";
many others considered him a "saint." Tolstoy's influence
was acknowledged by Mahatma Gandhi in India and Martin Luther King
in America. How did this come to be? The course will offer a study
of Leo Tolstoy's works, life, and death treated from this perspective.
Workload: substantial and intense weekly readings; regular reading
quizzes; a midterm essay and a final examination (focused on close
reading of the texts).
Texts include: Childhood; War and
Peace (the Pevear and Volokhonsky translation), Anna Karenina
(the Pevear and Volokhonsky translation); Confession; selections
from the diaries, religious writings, and essays.
With concurrent enrollment in Slavic 134R (1 unit), students can
write a research paper (10-15 pages) on a topic of individual choice
(enrollment in the research unit, upon instructor's approval, will
be open in the Fall).
Prerequisites: None. Required readings and lectures
in English. Students with advanced knowledge of Russian are encouraged
to do at least some reading in Russian.
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Slavic 134R (1 unit)
Irina Paperno
Research in Russian Literature: Tolstoy
With concurrent enrollment in Slavic 134R (1 unit),
students can write a research paper (10-15 pages) on a topic
of individual choice (enrollment in the research unit, upon
instructor's approval, will be open in the Fall).
Prerequisites: Enrollment in
Slavic 134D; consent of instructor.
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Slavic 134F (4 units)
Eric Naiman, naiman@berkeley.edu
TT 9:30-11
The Works of Vladimir Nabokov
This course is cross-listed
with English 166, Section 2
L&S Breadth: Arts & Literature
We will study the work of Nabokov as a novelist on two continents
over a period of nearly sixty years. The course will be structured
(more or less) chronologically and evenly divided between novels
translated from Russian and written in English. After beginning
with Nabokov’s third novel and two short stories, we will
examine some of the fiction of his European period, before turning
our attention to Lolita and Pnin. Competing interpretations
of Nabokov will be considered, but our emphasis will be on metafiction,
the theme of perversity and Nabokov's cultivation of a perverse
reader.
Since Nabokov was prolific and this course is comprehensive, students
should expect to devote a considerable amount of time to reading
and should come to class prepared to discuss the assigned texts.
Participants in the class should anticipate reading 200 pages per
week. Written work will consist of two papers (5 to 10 pages) on
topics to be chosen in consultation with the professor. Penalties
will be assessed for late papers. There will be a midterm and a
final examination.
Texts: Required
Nabokov, Vladimir
The Defense
Laughter in the Dark
Despair
Lolita
Pnin
Pale Fire
Prerequisites: None.
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Slavic 140 (4 units)
Anna Muza, amuza@berkeley.edu
TT 3:30-5
The Performing Arts in Russia in the 20th Century
“Russian Drama: Text and Performance”
Cross-listed with
Theater Arts 166, Section 4
L&S Breadth: Arts & Literature
The course is devoted to major works of Russian dramatic literature
of the 19th-20th centuries and their stage representations. Its
dual focus will be on contemporary implications of dramatic texts
and on their theatrical life in and through time, in various historical,
political, and national frameworks. We will read ten plays central
to the Russian literary and dramatic tradition and also associated
with the idea of the Russian theater in the West. The course will
address their contemporary historical and cultural subtexts, thematic
and conceptual properties, and formal idiom. We will then follow
stage history of these dramatic texts and discuss most significant
interpretations of Russian classics by leading artists of the 20th
century theater and film.
The course will include the plays by Nikolai Gogol, Ivan Turgenev,
Anton Chekhov, Vladimir Mayakovsky, as well as some of the most
recent work of Russian playwrights; and discuss the work of such
directors as Konstantin Stanislavsky, Vsevolod Meyerhold, Aleksandr
Tairov, as well as important Western interpretations of Russian
drama.
Prerequisites: None. All readings are in English.
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Slavic 151 (4 units)
Staff TBA
MWF 1-2
Readings in Polish Literature
L&S Breadth: Arts &
Literature
The course will contain the following major components:
readings, conversation, grammatical and stylistic analysis, and
translation. Readings introduce the best Polish authors (novelists,
poets, and play writers). Students will also have an opportunity
to learn about Polish art and culture. The course is designed
for students with intermediate and advanced skills in understanding
and using the Polish language. The course is taught in Polish
with explanations in English if necessary. Class attendance as
well as active participation in exercises and conversations is
expected. Ability to work as a team is a desired and especially
valued skill. All assignments shall be completed on time. Grades
are based on class attendance, participation, completion of reading
and writing assignments and a final project from the following:
a translation project, a research paper or a group presentation
performed in the classroom; the topics of which to be established
in consultation with the instructor.
Prerequisites: Slavic 115B or permission
of the instructor.
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Slavic 158 (4 units)
Ronelle Alexander, ralex@berkeley.edu
MWF 2-3
Topics in Russian/East European/Eurasian Cultures:
"The Rise and Fall of Yugoslavia"
L&S Breadth: Historical
Studies OR Social and Behavioral Sciences
This course will consider the phenomenon of Yugoslavia
(1918 - 1991) primarily from the cultural viewpoint, but with
considerable attention to history and politics as well. Throughout
Eastern Europe, but especially in the former Yugoslavia, culture
and politics have been so interconnected that it is impossible
to understand the one without some understanding of the other.
Literature and other artistic expression take as their primary
topics historical and current politically charged events, and
major political actions are often precipitated by, or at least
closely tied up with, literary events or figures. Within Yugoslavia,
the issue of language has also been highly politicized, and
much of the ethnic/national conflict between Serbs, Croats,
Bosnian Muslims (and even Montenegrins) is connected with the
question of whether they all speak the same language or not.
In addition to readings from literary and historical
sources, the course will include films by and about Yugoslavs.
Texts:
Benson, Leslie. Yugoslavia, a Concise History (revised
and updated edition)
Wachtel, Andrew. Making a Nation, Breaking a Nation: Literature
and Cultural Politics in Yugoslavia
Andric, Ivo. The Bridge on the Drina
Pekic, Borislav. The Houses of Belgrade
Sudetic, Chuck. Blood and Vengeance, One Family's Story
of the War in Bosnia
Jergovic, Miljenko. Sarajevo Marlboro
Prerequisites: None. ALL
COURSE READINGS IN ENGLISH.
Slavic 158 is a
Cultural Topics requirement for majors in the East European
or Eurasian cultures track in the Slavic department.
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Slavic 190 (4 units)
Arkady Alexeev, arkalexeev@yahoo.com
MWF 3-4
Russian Culture Taught in Russian: “Basics
of Soviet and Post-Soviet Russian History and Culture”
L&S Breadth: Historical
Studies OR Social and Behavioral Sciences
The course deals with important events in Soviet
and Post-Soviet Russian history and culture from the 1917 Bolshevik
revolution until nowadays. The main emphasis of the course is
on the political, social and psychological developments of the
period and their world-wide repercussions. Such topics as the
use of the Marxist doctrine in Soviet Russia, power struggles,
political police, Soviet propaganda, living standards, military
achievements and losses, personal characteristics of Soviet leaders,
socialist realism in art, censorship and free press, foreign policy,
the Gulag, and the recent terms like "glasnost" and
"perestroika" will be discussed in as great detail as
possible. It is obvious that the crucial moments in the life of
Soviet Russia will be dealt with much more comprehensively than
the less critical times. The course consists of classroom discussions,
presentations by the instructor (including video, samples of art,
excerpts from literature, etc.). The students will use a textbook,
handouts, write short essays, and will be able to exchange ideas
and opinions with other students.
This course will have a midterm (oral), and final
(oral with a short composition). The material is taught in Russian
with some explanation of historical terms and analysis in English.
The class is aimed at students with advanced knowledge
of Russian, including heritage speakers.
Course may be repeated for credit as topic varies
or equivalent with consent of instructor.
Texts: Course reader of a book.
Prerequisites: Slavic 103A or its
equivalent, (at least three years of college level or equivalent),
and consent of instructor.
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Slavic 200 (0 units)
Irina Paperno, ipaperno@berkeley.edu
M 4-7
Graduate Colloquium
Reports on current scholarly work by faculty and graduate students.
Must be taken on a satisfactory/unsatisfactory basis.
Graduate students must enroll in this course every semester in residence.
Prerequisites: Restriced to graduate students
in the Slavic department.
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Slavic 204 (4 units)
Luba Golburt, lgolburt@berkeley.edu
MW 12:30-2
Russian Composition and Style: "Discourse Analysis"
This course is a practical study of different discourses of literary
Russian. Paying attention to lexical, grammatical, stylistic and
narrative characteristics of a few select and representative texts,
we will analyze and imitate 19th-century narrative techniques (e.g.,
Gogol’s skaz, Dostoevsky’s polyphony, Chekhov’s
free indirect discourse), oral and folklore patterns, the languages
of Imperial and Soviet power, discourses of Stalinist and post-perestroika
subjectivity and rhetorical strategies of contemporary Russian scholarly
prose. The class is conducted in Russian. Required of all beginning
(first- and second-year) graduate students in the Department of
Slavic Languages and Literatures, the course might be also of use
for graduate students in history and social sciences.
Requirements: weekly readings and participation
in discussions; written homework assignments; take-home final exam.
Texts: Xeroxed reader
Prerequisite: Graduate standing or consent of
instructor; advanced knowledge of Russian, both reading knowledge
and oral fluency.
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Slavic 245A (4 units)
Harsha Ram, ram@berkeley.edu
F 2-5
Readings in Russian Romanticism
This course will attempt to survey Russian literary
activity in the first forty years of the nineteenth century, during
which most of the first great classics of poetry and prose were
written. This is the period associated with the figures of Karamzin
and Pushkin, and subsequently with Lermontov, Gogol, and the naturalist
school. The overarching models derive from European sentimentalism
and romanticism, whose importation to Russia raises difficult
questions about cultural translation even as they insist in new
and important ways on authenticity of affect and national specificity.
Topics for exploration include the modalities of translation between
Russia and western Europe, romantic lyric genres such as the ballad,
problems of sentiment and private life, travel narratives, the
romantic short story and problems of narrative and authorship,
philosophies of history, and the relationship of realism to history
and the fantastic.
Texts: Include works by Karamzin,
Zhukovskii, Pushkin and Lermontov, Viazemskii, Kiukhel'beker,
Bestuzhev-Marlinskii, Gogol and Dostoevskii. Attention will be
paid to contemporary Russian and European critical debates as
well as subsequent
criticism.
Prerequisites: Graduate standing;
consent of instructor. Adequate knowledge of Russian.
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Slavic 246A (4 units)
Olga Matich, omatich@berkeley.edu
Th 2-5
Russian Modernism (1890s-1920s)
Russian Modernist literature will be studied in
the context of Russian and European philosophy and literature.
Russian Symbolism and Futurism will be the focus of the course.
We will trace the culture wars between the representatives of
Russian Modernism and their opponents from the pre-revolutionary
1890s through the Soviet 1920s. Some of the topics to be covered
are the anti-nature impulse of the Decadence, especially in
the spheres of sex and gender; the religious revival of the
beginning of the twentieth century called the “Russian
Religious Renaissance;” the anti-historical tendency of
Symbolist and avant-garde ideology in conjuring the “new
man;” aesthetic experimentation in literature, especially
in relation to Bely’s Petersburg, and film; interdependence
of literature and criticism, especially between Futurism and
Formalism. We will read late Tolstoy, Merezhkovsky, Solov’ev,
Nordau, Nietzsche, Sologub, Blok, Bely, and other selections
of Symbolist poetry, Mayakovsky, and late Kuzmin and Akhmatova.
Texts:
Lev Tolstoy, The Kreutzer Sonata
Reader of Russian poetry
Fedor Sologub, Petty Demon
Andrei Bely, Petersburg
Alexander Blok, The Twelve and Scythians
Vladimir Mayakovsky, Cloud in Pants and About That
Mikhail Kuzmin, The Trout Breaks the Ice
Anna Akhmatova, Poem Without a Hero
Prerequisite: Graduate standing
or consent of instructor; reading knowledge of Russian.
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Slavic 280, Section
1 (4 units)
Anne Nesbet, nesbet@berkeley.edu
(Slavic) and
Mark Sandberg, sandberg@berkeley.edu
(Film)
Seminar: W 2-5, 226 Dwinelle
Film Screening: Tu 6-9, 226 Dwinelle
Graduate Literature Seminar: "Film
and Architecture"
This course
is cross-listed with Film 240, Section 2
A detailed description with texts is forthcoming.
Students may contact Professors Nesbet or Sandberg via email
regarding topic and content.
Texts: TBA
Prerequisites: Graduate standing;
consent of instructor.
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Slavic 280, Section 2 (4 units)
Ronelle Alexander, ralex@berkeley.edu
Th 9-12
Graduate Seminar: "Balkan Linguistics"
Selected issues in Balkan linguistics, with special attention to
phenomena of language contact (in general and in the Balkans); to
the “Balkanisms” seen in the lexicon, morphosyntax,
and phonology of the Balkan languages; and to the appropriateness
of the concept “Balkan Sprachbund” today.
Preqrequisites: Graduate standing; consent of
instructor.
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Slavic 280, Section 3 (4 units)
Johanna Nichols, jbnichols@berkeley.edu
Th 2-5
Graduate Linguistics Seminar
A detailed description with texts is forthcoming. Students may
contact Prof. Nichols via email regarding topic and content.
Texts: TBA
Prerequisites: Graduate standing; consent of instructor.
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Slavic 301, Section
1 (3 units)
Lisa Little, lclittle@berkeley.edu
M 2:30-4:30
Teaching Methodology: Slavic 1-4, 25A
This course is required of all Graduate Student Instructors
of Slavic 1-4 and 25A
Course to be repeated for credit each semester
of employment as graduate student instructor. Course on practical
teaching methods, grading, testing, and design of supplementary
course materials. Must be taken on a satisfactory/unsatisfactory
basis.
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REQUIRED OF SLAVIC
DEPARTMENT GSIs TEACHING
READING & COMPOSITION
Slavic 301, Section 2
(3 units)
Olga Matich, omatich@berkeley.edu
Tent. Time: TT 8-9:30
Teaching Methodology: Reading & Composition
This course is required of all Graduate Student
Instructors teaching Reading & Composition courses in the
Slavic Department.
Course to be repeated for credit each semester
of employment as graduate student instructor. The purpose
of this course is to introduce new GSIs to teaching Slavic 5A
and 5B. It will focus on preparation of teaching materials, including
syllabi, and discussion of questions of pedagogy (teaching literature
and writing, lecturing, leading class discussions, designing writing
assignments, grading and formulating responses to student papers,
working with students individually and in small groups). The course
will help you prepare for a career as a college teacher of literature
and for the teaching component of job applications. Must
be taken on a satisfactory/ unsatisfactory basis.
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Slavic 301, Section 3 (3 units)
Ronelle Alexander, ralex@berkeley.edu
Tent. Time: MWF 8-9
Teaching Methodology: BCS and Bulgarian
This course is required of all Graduate Student Instructors of
Bulgarian and BCS: Slavic 27A-B, 28A-B, 117A-B and 118A-B.
Course to be repeated for credit each semester of employment
as graduate student instructor. Course on practical teaching
methods, grading, testing, and design of supplementary course materials.
Must be taken on a satisfactory/unsatisfactory basis.
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Slavic 310 (2
units)
The Staff
Internship in the Teaching of Literature/Linguistics
Weekly meetings with the instructor of the designated
course. Discussion of course aims, syllabus preparation, lecture
and assignment planning, grading and related matters. Students
may prepare a representative portion of the work for such a
course (e.g. lecture outline and assignments for a course segment)
and may participate in presentation of the material and in evaluation
of samples of student work. May be repeated for credit.
Prerequisites: Slavic graduate
student status and consent of instructor.
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EAST EUROPEAN STUDIES COURSES
HUNGARIAN AND ROMANIAN LANGUAGES
East European Studies 1A (3
or 4 units)
Staff TBA
MWF 9-10
Elementary Hungarian
THIS 1A-1B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
East European Studies 1A is a course which aims at developing
the fundamentals of language proficiency through conversational
practice, and oral and written assignments. Its most important goal
is to provide the students with the requisite vocabulary and grammatical
structures to carry on an idiomatic conversation in a variety of
situations. It also offers selections from Hungarian poetry, folk
songs, and cultural notes, to help students gain a better understanding
of Hungarian culture. Frequent oral and written assignments will
be given; there will be a midterm and a final exam. The course can
be taken for either 3 or 4 units; the additional unit involves extra
written and reading assignments.
Text: Colloquial Hungarian by Erika Solyom
and Carol Rounds, Routledge
Prerequisites: None.
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East European Studies 2A (3 units)
Staff TBA
MWF 1-2
Introductory Romanian
THE 2A-2B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
This course focuses on the beginning level of Romanian language
proficiency. No previous experience of Romanian is necessary. The
course utilizes a whole language approach with a focus on reading
comprehension, vocabulary expansion, grammar structures and writing.
In addition, it will assist students in developing their speaking
abilities as well as listening comprehension. The cultural aspects
of language learning will be stressed across four language skills:
reading, writing, listening comprehension and speaking. There will
also be lectures illustrated by videos to promote conversation and
class discussion, and to acquaint the students with different aspects
of Romanian culture and history.
Among the requirements are attendance and participation, written
homework, chapter quizes, and final examination.
Required Texts:
Botoman, R. (1995). Discover Romanian. An Introduction to the
Language and Culture. Ohio State University Press, Columbus,
OH.
Botoman, R. (1995). Student Workbook for use with Discover Romanian.
Ohio State University Press, Columbus, OH
Supplemental materials provided by instructor.
A list of relevant websites and other reference materials will be
provided at the start of the course.
Reference Materials:
• Hoffman, C. (1998). Romanian Grammar. Hippocrene
Language Studies. Hippocrene Books, New York
• Miroiu, M. (1999). Romanian-English, English-Romanian
dictionary. Hippocrene Standard Dictionary, New York (suggested)
or any other good Romanian/English and English Romanian dictionary
Prerequisites: None.
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East European Studies 100 (2
units)
Staff TBA
WF 10-11
Advanced Hungarian Readings
This class requires prior knowledge of the Hungarian language.
The purpose of the class is to further develop the students' level
of language proficiency in speech as well as in writing. A major
component of the curriculum is based on student presentation of
a topic chosen by each student in the class. Each student is to
give two oral presentations during the semester. Materials for reading
are selected by the instructor as well as by the students for home
reading. Workload will include a reasonable amount of reading and
writing assignments. Midterm and final exams, and the student's
attendance and participation will provide the basis for grading.
Texts: Various photocopied and internet materials,
and readings chosen by the students.
Prerequisites: East European Studies 1A-lB or
consent of instructor.
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NEW COURSE FALL
2010!
East European Studies 102A (3 units)
Staff TBA
MWF 11-12
Continuing Romanian
THE 102A-102B COURSE SEQUENCE BEGINS IN
THE FALL TERM ONLY.
This course focuses on the intermediate level of Romanian
language proficiency. Its purpose is to further develop
students’ level of Romanian proficiency across all four
language skills: speaking, listening, reading and writing. Readings
from various mediums will be used such as newspaper articles and
adapted literature excerpts, which will offer students more insight
into the cultural aspects of the language. There will also be
lectures illustrated by videos to promote conversation and class
discussion, and to further acquaint the students with different
aspects of Romanian culture and history.
Among the requirements are attendance and participation, written
homework, weekly quizes and a term project with presentation.
Texts:
Botoman, R. (1995). Discover Romanian. An Introduction to
the Language and Culture. Ohio State University Press, Columbus,
OH.
Botoman, R. (1995). Student Workbook for use with Discover
Romanian. Ohio State University Press, Columbus, OH
Supplemental materials provided by instructor.
A list of relevant websites and other reference materials will
be provided at the start of the course.
Prerequisites: East European Studies
2B; consent of instructor.
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EURASIAN STUDIES COURSES
ARMENIAN LANGUAGE OFFERINGS
Eurasian Studies 1A (4 units)
Staff TBA
TT 11-12:30
Beginning Armenian
THE 1A-1B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
This course is for students who have no or very little previous
knowledge of Armenian. Proficiency in the four language skills,
listening, speaking, reading and writing is developed. Modern Western
Armenian is taught primarily, but students who would like to learn
Eastern Armenian are also accommodated. Armenian is taught as one
language. The commonalities are highlighted and the differences
recognized and taught.
Among the requirements are attendance and participation, oral and
written homework, two midterm projects, and a term project with
presentation.
Text: Required
Gayane Hagopyan, Armenian For Everyone (Yerevan Printing,
Los Angeles, 2007, or the first edition of the same book by Caravan
Books, Ann Arbor, 2005)
A good Armenian/English and English/Armenian dictionary
Prerequisites: Consent of instructor.
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Eurasian Studies 101A
(3 units)
Staff TBA
TT 12:30-2
Continuing Armenian
THE 101A-101B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
The
purpose of this course is to further develop students’ Armenian
proficiency in all four language skills, using discussions, oral
presentations, written assignments and a variety of readings (literature,
non-fiction, folklore, newspaper articles, etc.) chosen for their
cultural significance and based on student needs and interests.
Particular skills (e.g. reading) are emphasized. Three hours of
class per week. Course may be repeated for credit.
Among the requirements are attendance and participation, oral and
written homework, two midterm projects, and a term project with
presentation.
Texts: Materials will be provided by the teacher.
No textbooks are required.
A good dictionary of Armenian/English and English/Armenian is required.
Prerequisites: Eurasian Studies 1A-1B or consent
of instructor.
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Courses by numbers
Russian:
1,2 3,4
6A 103A
105A 120A
190
Other Slavic Languages:
25A 26A
27A 115A
116A 117A
118A
Reading And Composition Courses:
R5A-1 R5A-2
R5A-3 R5B-2
R5B-3
Literature And Culture Courses:
24 45 134D 134F
134R 140 151 158 190
Graduate Courses:
200 204 245A 246A
280-1 280-2 280-3
Courses In Pedagogy:
301-1 301-2 301-3
310
East European & Eurasian Studies:
EE 1A EE 2A
EE 100 EE 102
EURA ST 1A
EURA ST 101A
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