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Quick reference to courses

RUSSIAN:
1,2: Elementary Russian
3,4: Intermediate Russian,
6: Introductory Russian for Heritage speakers
103A: Advanced Russian (Part I)
105A: Russian/English/Russian Translation
109: Business Russian
114: Advanced Self-Paced Russian for Native Speakers
120A: Advanced Russian Conversation and Communication
201: Advanced Russian Proficiency Maintenance

OTHER SLAVIC LANGUAGES:
25A: Introductory Polish
26A: Introductory Czech
27A: Introductory Serbian/Croatian
115A: Advanced Polish
116A: Advanced Czech
117A: Advanced Serbian/Croatian
118A: Advanced Bulgarian

READING AND COMPOSITION COURSES:
R5A-1: Aliens and Homebodies
R5B-1: Madmen, Dreamers and Drunks
R5B-2: Genocide and Ethnic Cleansing in 20th Century Literature

LITERATURE AND CULTURE COURSES, satisfy L&S breadth requirements:
39j:Love among the Russians (Arts & Literature)
45: Nineteenth Century Russian Literature (Arts & Literature)
50 Introduction to Russian/East European/Eurasian Cultures (Arts & Literature OR International Studies OR Social and Behavioral Sciences)
133A: The Novel in Russia and the West: “The European Novel” (Arts & Literature)
134R: Research in Russian Literature: “The European Novel”
134E: Chekhov(Arts & Literature)
134R: Research for 134E
158: Topics in Russian/East European/Eurasian Cultures: "History of Poland-Lithuania"(Historical Studies OR Social and Behavioral Sciences)
181: Readings in Russian Literature (L&S Breadth: Arts and Literature)

GRADUATE COURSES:
200: Graduate Colloquium
222: Introduction to Descriptive Grammar of Slavic Languages
245A: Russian Realism (CANCELLED; will be offered in Spring 2005).
246B: Contemporary Literature
280-1: Literature of the 1920s
280-3: South Slavic Sociolinguistics
281: Proseminar in Literature: Methods and Aims of Literary Scholarship
282: Proseminar in Linguistics: Methods and Aims of Linguistic Scholarship

COURSES IN PEDAGOGY:
301: Slavic Teaching Methods
310: Internship in the Teaching of Literature/Linguistics

EURASIAN STUDIES:
289-1: Studies in the Languages of the Caucasus: “Georgian Language and Culture”
289-2: Studies in the Languages of the Caucasus: Uzbek Language
289-3: Studies in the Languages of the Caucasus: Armenian Language

EAST EUROPEAN STUDIES:
East European Studies 1a: Elementary Hungarian
East European Studies 100: Advanced Hungarian Readings

Course Descriptions

Slavic 1 & 2 (5 units each)
Lisa Little (Instructor-in-Charge)

Elementary Russian

Comprehensive program for the study of Russian language and culture. Focus on proficiency in all four skills (listening, reading, speaking, writing). Classes conducted primarily in Russian. Daily homework assignments. Grades based on class participation, oral and written assignments, chapter tests, and final.

Required Texts: (Available Through Asuc's Cal Textbooks)

Slavic 1:
Lubensky, Ervin, McClellan, & Jarvis, NACHALO When in Russia..., Book 1 with Cassette Tape or CD and Workbook/Lab Manual.
Levine, James S., Schaum's Outlines of Russian Grammar.

Slavic 2:
Lubensky, Ervin, McClellan, & Jarvis, NACHALO When in Russia…, Book 2 with Cassette Tape or CD and Workbook/Lab Manual.
.Levine, James S., Schaum's Outlines of Russian Grammar (or Barron's Russian Grammar).

Recommended:
Romanov’s Russian-English English-Russian Dictionary or Kenneth Katzner, English-Russian Russian-English Dictionary

Prerequisites: Slavic 2 - Slavic 1 or consent of instructor-in-charge.

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Slavic 3 & 4 (5 units each)
Lisa Little (Instructor-in-Charge)

Intermediate Russian

Comprehensive program for the study of Russian language and culture. Focus on proficiency in all four skills (listening, reading, speaking, writing). Classes conducted in Russian. Weekly homework assignments. Grades based on class participation, oral and written assignments, chapter tests, and final.

Required Texts: (Available Through Asuc's Cal Textbooks)

Kagan and Miller, V Puti: Russian Grammar in Context, and workbook/lab manual.
Levine, James S., Schaum's Outlines of Russian Grammar or Barron's Russian Grammar
Romanov’s Russian-English English-Russian Dictionary or Kenneth Katzner, English-Russian Russian-English Dictionary.

Prerequisites: previous semester or consent of instructor-in-charge.

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Slavic R5A, Section 1 (4 units)
Michelle Viise

Reading and Composition Course

Aliens and Homebodies: the Estranged and the Native in Slavic and Baltic Literature

This course fulfills the “A” portion of the Reading and Composition requirement.

Many critics have ascribed Tolstoy's genius to his ability to describe his subjects as a naive observer would. The estrangement of a child, foreigner or tourist, however, does not always produce a work of art. This course examines the descriptive choices made by an assortment of Russian, Polish, and Baltic authors whose protagonists either have found themselves in alien societies or have found that their own societies have become alien to them. The characters studied will range from Tolstoy's Army officer-tourist in "The Cossacks" to Gogol's outcasts in Petersburg Tales, Eva Hoffman's post-Holocaust Jewish emigres in Lost in Translation, Stanislaw Lem's time traveller in Return from the Stars, and Jaan Kross' dispossessed Estonian natives in various works. Course requirements include approximately 150 pp. of reading per week, four short papers (5-7 pp.), and a longer final paper (10-12 pp.).

Reading list (texts available at the Campus Bookstore and Ned's):

Gogol, Nicholas. Petersburg Tales. (Edition TBA).
Hoffman, Eva. Lost in Translation. Penguin Press. ISBN: 0140127739.
James, Henry. The American. Signet Classics. ISBN: 0451525175.
Kross, Jaan. Professor Marten's Departure. New Press. ISBN: 1565841115. Kross, Jaan. Treading Air. Harvill Press. ISBN: 1843430363.
Lem, Stanislaw. Return From the Stars. Harvest Books. ISBN: 0156765934.
A Stanislaw Lem Reader. Northwestern U. Press. ISBN: 081011495X.
Tolstoy, Leo. "The Cossacks." The Death of Ivan Ilyich; The Cossacks; Happy Ever After. Penguin Classics. ISBN: 0140445080.

Prerequisites: Completion of Subject A or equivalent.

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Slavic R5B, Section 1 (4 units)
Gabriel White

gabew@socrates.berkeley.edu

Reading and Composition Course

"Madmen, Dreamers and Drunks"

This course fulfills the second portion of the undergraduate reading and composition requirement and is geared to help you expand your skills to develop clearer and more effective writing. This includes the skills necessary to conduct research, and to incorporate published critical literature into your own writing properly and productively. The emphasis will be on writing as a recursive process of drafting and revision. Readings will focus on texts that include representations of minds with unconventional relations with the world: irrational, paranoid, intoxicated, in states of mental crisis, or otherwise in an altered state. These texts are authored by writers from a variety of time-periods and national backgrounds, and a number of genres are represented. Your writing will engage themes and problems raised by the selected texts, including: how writers represent madness, and to what purpose; the function of mood-altering substances within the text; how various social pressures may be manifested in the text as madness; the differences between a text that is a literary representation of madness and a text that is a symptom of madness, that is, the product of a disturbed mind; and others.

Disclaimer: Some (although not all) of the texts we will read in this class are, one might say, not polite. They are at times quite explicitly sexual (although rarely erotic), disturbingly violent, grotesquely scatological, and/or otherwise discomforting to the prudish or squeamish. Please take this into account in deciding if this is the class for you.

Texts:
Texts: Fyodor Dostoevsky -- Notes From Underground
Venedikt Erofeev -- Moscow to the End of the Line
Nikolai Gogol -- Diary of a Madman and Other Stories
Vaclav Havel -- The Garden Party and Other Plays
Knut Hamsun -- Hunger
Vladimir Nabokov -- Despair
Vaslav Nijinsky, ed. Joan Acocella -- The Diary of Vaslav Nijinsky
Kenzaburo Oe -- Teach Us To Outgrow Our Madness
Jean Rhys -- Good Morning, Midnight

Writing Handbook:
Frederick Crews --The Random House Handbook (6th edition--1992)

Requirements:

Writing:
This course will include 2 papers. Each of the papers will go through two or three stages of substantial revision, involving peer reading and critiquing and in-class workshopping of each student's writing. The first of these papers will be about 6 pages, the second paper will be about 10 pages in length. There will also be a number of smaller assignments, ranging from a paragraph to a page or two in length.

Participation:
Lively participation in and contribution to class discussions is a key ongoing requirement for the entire course. This is not a lecture class! In order to participate, it is vital that you keep up with the reading--attentive and regular reading of our primary texts is an absolute must. There will often be small writing assignments dealing specifically with the week's material, designed to facilitate our in-class discussions, as well as contribute towards the "composition" half of our R&C course--in order to complete these assignments, you will have to have read the texts. Additionally, there will be a number of in-class activities such as peer editing and workshopping of paper drafts, in-class writing assignments, etc., your participation in which will be a major portion of your grade (see below).

Attendance:
Attendance is absolutely crucial to this course. Missing a class will put you at a severe disadvantage, since not only will you not have benefited from our class discussions of the material--often the best staging grounds for good paper topics--you will also risk missing out on various writing activities, peer editing, etc., which are integral parts of this course. Furthermore, since we meet three times a week, just three missed classes mean you are a full week behind the rest of us. I am uninterested in keeping track of the multitude of reasons why one might have to miss a class. Therefore, to make things simple and clear, the following policy will be enforced: after three absences, excused or unexcused, your grade for the course will begin to go down one-third of a letter grade for each additional class day you miss. For example, if your final grade for the course were to be a B, but in the course of the semester you had missed four days of class, you would receive a B-. If you do miss a class, be sure to see your fellow students to catch up on what was discussed, and be sure to complete any assignments you might have fallen behind on! Otherwise, you risk a drop in the base grade, from which any attendance penalties would be subtracted.

Weighting of Requirements:

Participation--15%
Includes active participation in class discussion and activities, as well as any in-class writing exercises or assignments.

Homework--15%:
Includes writing assignments and other work for completion outside of class, with the exception of the two main papers.

Papers--70% (first paper 25%, second paper 45%)
These percentages include the final versions, as well as preliminary drafts: drafts will not be graded per-se, but late drafts or other failure to fully participate in the writing process will negatively effect grades.

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Slavic R5B, Section 2 (4 units)
Traci Lindsey

Reading and Composition Course

Genocide and Ethnic Cleansing in 20th Century Literature

This course fulfills the “B” portion of the Reading and Composition requirement.

While mass murder inspired by ideology and nationalism has been around almost as long as humankind, the 20th century has been the setting for events of genocide and ethnic cleansing that stand out for their inhuman atrocity. These horrors have inspired many works of literature, much of it written by survivors of these events. In this course we will read works dealing with the Holocaust, Stalin’s purges, and the more recent ethnic cleansing in the former Yugoslavia. We will explore the function of literature in the aftermath of atrocity, and will discuss its role in bearing witness to what has been done and expressing the tragedy not only of those who died, but also of those who survived to live with their experiences.

We will discuss all works extensively in class, and will focus on critical reading and written analysis. The written assignments will include a number of short responses, as well as three essays of varying lenths, two of which will undergo a process of revision. Students will improve their academic writing through the stimulus of this interesting and provocative topic.

Course readings will include:
Course readings will include: Borowski, Tadeusz This Way for the Gas, Ladies and Gentlemen
Drakulic, Slavenka S.: a novel about the Balkans
Grossman, Vasily Forever Flowing
Kiš, Danilo A Tomb for Boris Davidovich
Kiš, Danilo Garden, Ashes
Solzhenitsyn, Aleksander One Day in the Life of Ivan Denisovich

There will also be a course reader which will include selections from Hannah Arendt, Isaac Babel, Paul Celan, Varlam Shalamov, Dubravka Ugresic, and others.

Prerequisites: Completion of the “A” portion of the Reading and Composition requirement or equivalent.

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Slavic 25A (5 units)
The Staff

Introductory Polish

THE 25A-25B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
The Fall course (25A) and the Spring course (25B) introduce the modern Polish language. The emphasis is on spoken Polish through classroom exercises, dialogues, directed conversation, and some supplementary readings as assigned. Daily homework; one hour of language laboratory per week. Weekly quizzes; three midterms and the final exam.

Texts:
Oscar Swan, First Year Polish
Leonard A Polakiewicz, Supplemental Materials for First Year Polish

Prerequisites: None for 25A; 25B presumes a knowledge of 25A or equivalent.

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Slavic 6 (3 units)
Lisa Little/Staff

DO YOU SPEAK (BUT NOT READ OR WRITE) RUSSIAN?

Students interested in whether they qualify for this course should contact our Russian language coordinator , Lisa little, at: lclittle@socrates.berkeley.edu

Introductory Russian for Heritage Speakers

This course is aimed at "heritage speakers" of Russian, i.e., those who grew up speaking Russian in the family without a native Russian's full educational and cultural background. Introductory course teaches basic skills of literacy, grammar, and reading. Students with advanced reading proficiency should consider Slavic 114 (Advanced Self-Paced Russian for Native Speakers).

Texts: O. Kagan, Akishina T., Robin R., Russian for Russians: Textbook for Heritage Speakers

Prerequisites: Oral proficiency in Russian; placement test and consent of instructor

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Slavic 25A (5 units)
The Staff

Introductory Polish

THE 25A-25B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.

The Fall course (25A) and the Spring course (25B) introduce the modern Polish language. The emphasis is on spoken Polish through classroom exercises, dialogues, directed conversation, and some supplementary readings as assigned. Daily homework; one hour of language laboratory per week. Weekly quizzes; three midterms and the final exam.

Texts: Oscar Swan, First Year Polish
Leonard A Polakiewicz, Supplemental Materials for First Year Polish

Prerequisites: None for 25A; 25B presumes a knowledge of 25A or equivalent.

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Slavic 26A (5 units)
Ellen Langer

Introductory Czech

THE 26A-26B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.

The sequence of 26A (Fall) and 26B (Spring) emphasizes development of communicative skills, vocabulary, and grammatical competence. The textbook covers a range of communicative situations, the fundamentals of Czech grammar, and basic vocabulary. At the same time, the course provides an introduction to Czech culture through films, music, and short readings in Czech, including excerpts from Czech poetry and prose, history, social studies, and current events. Daily homework, midterm, final exam.

Texts:
Kresin et al, Czech for Fun , 2nd edition
Kresin et al, Czech for Fun Workbook , 1st edition
OPTIONAL reference grammar: Heim, Contemporary Czech
Additional materials provided in class.

Prerequisites: None for 26A; 26B presumes a knowledge of 26A or equivalent.

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Slavic 27A (5 units)
Catherine Skarica

Introductory Serbian/Croatian

THE 27A-27B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.

Introduction to Serbian, Croatian and Bosnian with explanation of major differences (from both a linguistic and sociocultural viewpoint) and the common grammatical core. Development of communication skills (listening, speaking, reading, writing). Daily homework assignments, weekly quizzes, midterm and final.

Text: SCB (available in manuscript as reader)

Prerequisites: None for 27A; 27B presumes a knowledge of 27A or equivalent.

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Slavic 39J (3 units)
Hugh McLean

Lower-Division Seminar: Love among the Russians

L&S Breadth: Arts & Literature

Study and discussion of treatments of the love theme by a series of great Russian writers: Pushkin, Gogol, Turgenev, Dostoevsky, Tolstoy, Chekhov. Readings will be mostly short stories, not long novels. All readings and discussion in English, although students who know Russian are encouraged to read in the original. One term paper, no exam.

Texts:
Alexander Pushkin , Eugene Onegin, Penguin Classics.
Reader

Prerequisites: None.

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Slavic 45 (3 units)
Olga Matich/The Staff

Nineteenth Century Russian Literature

L&S Breadth: Arts & Literature

During the semester we will be reading some of the celebrated works of the Russian nineteenth-century, from Pushkin through Gogol, Turgenev, Dostoevskii and Tolstoi to Chekhov.

It is the nineteenth century that poses the decisive questions of Russian modernity: the quest for an identity for the nation and its language, the problem of literary realism, the responsibilities of literature as an agent for social change, the status of the writer within changing social hierarchies, the correlation of the personal and the collective, the political and the metaphysical. These are decades of formal exploration and cultural anxiety, existential doubt and political denunciation. To define the nineteenth century and its questions and make them speak to us will be our goal this semester.

Our interest will focus primarily on the novel, but will also touch on related genres such as the novel-in-verse, and the short story.

The course is a prerequisite for admission to the Slavic major and is recommended for prospective graduate students in Slavic. No knowledge of Russian is required; the classes are conducted in English.

Texts:
Pushkin, Eugene Onegin, trans. James E.Falen
Gogol, Diary of a Madman and Other Stories, trans. Ronald Wilks
Lermontov, A Hero of our Time, trans. Martin Parker
Turgenev, Fathers and Sons, trans. Michael R.Katz
Dostoevskii, Crime and Punishment, trans. Jessie Coulson
Tolstoi, Great Short Works of Leo Tolstoy, trans. John Bayley
Chekhov, The Major Plays, trans. Ann Donnigan

Prerequisites: None

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Slavic 50 (3 units)
The Staff

Introduction to Russian/East European/Eurasian Cultures

L&S Breadth: Arts & Literature OR International Studies OR Social and Behavioral Sciences

Slavic 50 examines the history and culture of Slavs, both Russians and Slavic peoples in Central and Eastern Europe. The course will explore the origins of Slavs; Slavic conversions to Christianity; tsars and nation building; the Age of Empires; Romanticism and Slavic nationalism; and the Soviet experiment, protest, and collapse. We will discuss broad questions of ethnic and religious identity, empire, the relationship between individual and state, culture, and utopia. We will work with a variety of materials and disciplines: short primary documents, histories, visual images, films, and literary works.

Required of majors in Russian/East European/Eurasian cultures, the course is also aimed at a broad audience. Knowledge of the languages of the area is not required.

Course and readings in English.

Texts:
Freeze, Russia: A History
Crampton, Eastern Europe in the Twentieth Centry - and After
Hupchick and Cox, A Concise Historical Atlas of Eastern Europe

Prerequisites: None

.

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Slavic 103A (4 units)
Arkady Alexeev

Advanced Russian (Part I)

This course covers three main aspects of an advanced Russian course: grammar, syntax, and readings. The grammar is reviewed. Syntax deals with the practical aspects of simple and compound sentences. Readings introduce the best Russian authors. The course is taught in Russian. There are weekly quizzes on grammar, syntax, and reading, one midterm and the final exam. Weekly discussion or conversation section. Grades are based on: quizzes 30%, midterm 30%, final 40%.

Texts:
I. Pulkina, Russian (1997 version)
Advanced Russian Syntax Part II
Russian Reader (photocopied)
Glossary for the Russian Reader

Prerequisites: Slavic 4, 14D or equivalent.

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Slavic 105A (1, 2 or 3 units)
Arkady Alexeev

Russian-English, English Russian Translation

SLAVIC 105A OFFERED IN FALL; SLAVIC 105B IN SPRING.

Course may be repeated for credit. Three hours of lecture per week. Course may be taken for one unit (5 weeks: basic translation skills), two units (10 weeks: advanced skills), or three units (15 weeks: professional skills).

The course is intended for students who are interested in acquiring translation skills that can be used in the growing field of Russian/American commercial and cultural relations, diplomacy and journalism. Because translation is studied from both Russian into English and from English into Russian it can be useful for English speakers as well as Russian native and heritage speakers. The course will consist of two parts, A and B, offered respectively in the fall and spring semesters. Both courses deal with the written and oral translation. However, Slavic 105A has the main emphasis on the written translation, its peculiarities and methods studied through practical translation of authentic texts. The main focus will be on translating technical texts. The oral part in Slavic 105A concentrates on acquiring basic skills necessary for informal interpreting.

Workload: workshop, midterm, final.

Texts: materials supplied in class.

Prerequisites: Slavic 1, 2, 3, 4 or equivalent, or consent of instructor.

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Slavic 109 (3 units)
Arkady Alexeev

Business Russian

This course is designed for students with a good command of basic Russian who would like to gain the vocabulary of business transactions in Russian in order to be able to establish actual contacts with Russian businessmen and women, to participate in business negotiations, to compile business contracts in Russian, and to read Russian business magazines and newspapers. Elements of the business law of Russia will also be discussed. The students are offered a large selection of original texts on economic, business, trade (domestic and foreign), and natural resource development. In addition to practical exercises and discussions, guest speakers and video materials will be widely used in classwork. The workload will include regular written assignments, presentations, a midterm and final exam.

Texts: a reader compiled by the instructor as well as handouts and other materials.

Prerequisites: Slavic 4 (2 years of Russian) or the equivalent.

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Slavic 114 (1-6 units)
Anna Muza

Advanced Self-Paced Russian for Native Speakers

The course is aimed at "heritage speakers" of Russian, i.e., those who grew up speaking Russian in the family or had a limited learning experience, without a native Russian’s full educational and cultural background. The advanced course aims at building a sophisticated vocabulary, developing advanced reading ability, formal knowledge of grammar, and complete writing competency. The course is organized around students’ individual needs and abilities. Classes are held on a weekly basis as arranged during the first week of the semester. The course can be taken for two semesters not to exceed the maximum of 6 units.

Prerequisites: advanced speaking and reading ability in Russian; placement test, and consent of instructor. Students with no or rudimentary reading proficiency should consider Slavic 6 (Introductory Russian for Heritage Speakers).

Class sections for students are arranged during the first week of classes. Please see the instructor during special office hours during the first week of classes to arrange tutorial schedules. The first week of classes office hours will be posted outside of the Slavic Department office at 6303 Dwinelle Hall and on the Department’s web site.

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Slavic 115A (4 units)
The Staff

Advanced Polish

This course will contain three major components: a review of grammar; reading and translation of moderately difficult Polish prose and poetry, primarily of the twentieth century; and conversation.

Texts: Olesky & Swan, W Labiryncie

Prerequisites: Slavic 25B or consent of the instructor.

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Slavic 116A (4 units)
The Staff

Advanced Czech

The course combines a review of Czech grammar (along with discussion of problem areas of grammar) and reading of Czech literature.

Texts: to be announced in class.

Prerequisites: Slavic 26B or consent of instructor.

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Slavic 117A (4 units)
Catherine Skarica

Advanced Serbian/Croatian

NOTE: THIS COURSE WILL BE OFFERED AS STAFFING PERMITS.
Spoken and written language; advanced grammar review. Reading of texts from various authors and cultural sources on Croatia, Bosnia and Serbia. The course will include some discussion of the contemporary sociolinguistic situation as it relates to language use, but the primary emphasis is on practical language competence. Short oral reports and writing practice. Grades based on class participation, midterm and final exam.

Texts: Available from the instructor once class begins.

Prerequisites: Slavic 27B or permission of instructor.

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Slavic 118A (4 units)
Ronelle Alexander

Advanced Bulgarian

Review of grammar covered in Introductory Bulgarian 28A-B. Thorough presentation of the complex verbal tense-mood system. Readings in contemporary Bulgarian prose and poetry. The course will be conducted partially in Bulgarian. Workload will include reading, translations, preparation of oral reports; midterm; final.

Texts:Intensive Bulgarian, Volumes 1 & 2
Xeroxed materials

Prerequisites: Slavic 28B or permission of instructor.

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Slavic 120A (2-3 units)
Lisa Little

Advanced Russian Conversation and Communication

This course focuses on oral communication skills. The goal is to help students develop confidence and begin to feel comfortable conversing in Russian on topics beyond routine social and survival needs

The course is loosely based on the textbook, Let’s Talk About Life! which contains readings, vocabulary lists, speaking activities, and taped interviews on various topics related to life in Russia and the United States. We will also supplement the listening (no less important than speaking since communication breaks down completely when comprehension is poor) with documentary and other film clips, songs, newscasts, guest speakers, etc. Speaking activities might include discussing a reading from the textbook in small groups, giving an oral report, taking part in a focus group, or participating in a debate, among other things. There will be regular home assignments (mostly fluency writing, listening, or reading to prepare for speaking in class the next day and vocabulary-building exercises); both a written vocabulary and an oral speaking test (one-on-one with the instructor) for each of the four chapters covered during the semester; and a final (oral interview).

The course may be taken for two or three credits. Those students taking the course for two credits will come to class on Mondays and Wednesdays and do the assignments for those days. Students who choose to take the course for three credits will be expected to attend on Fridays as well. Together they will decide on a project (or projects) for the semester.

The grade will be determined as follows: Attendance/participation 30%
Homework/preparation 10%
Vocabulary tests 20%
Oral tests 30%
Final 10%

(The grading percentages for the students who sign up for 3 units may be modified to include the special project/s.)

Prerequisites: Slavic 4 or consent of instructor. Students may take A and/or B depending on their level of proficiency and goals.

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Slavic 133A (3 units)
Irina Paperno

The Novel in Russia and the West: “The European Novel”

This Course is Cross-Listed with English 125C

L&S Breadth: Arts & Literature

Focusing on key texts from English, French, and Russian literatures, this course traces the development of the novel as a genre in 19th-century Europe. Our discussions will emphasize strategies of close reading and literary analysis and elements of the theory of the novel. The texts are grouped into two thematic units. First, as we read Oliver Twist, Old Goriot, and Crime and Punishment, we will examine the use of social discourse in narrative form; crime as a paradigm for a work of fiction; and the role of the city in structuring the modern novel. Second, as we read Emma, Madame Bovary, and Anna Karenina, we will examine the novel's involvement with family, marriage, and adultery; the representation of consciousness in narrative; and the construction of the self in a work of literature. In comparing novels from different national traditions, the course explores the interplay between genre and culture. The Russian point of view will be highlighted throughout the course. (All readings in English.)

Book List. Charles Dickens, Oliver Twist (1838), Honoré de Balzac, Old Goriot [Père Goriot] (1835), Fyodor Dostoevsky, Crime and Punishment (1866); Jane Austen, Emma (1816), Gustave Flaubert, Madame Bovary (1856), Lev Tolstoy, Anna Karenina (1877).

Workload/Requirements. Reading: 150-200 pages per week. Written work: short written assignments, take-home midterm paper (3-5 pages), final paper (5-8 pages), in-class final exam (textual explication).

Prerequisites: None.

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Slavic 133R (1 unit)
Irina Paperno

Research in Russian Literature: “The European Novel”

This course is designed to support a research project coordinated with Slavic 133 supervised by the instructor. Individual consultation with the instructor. Final research paper of 10-15 pages required.

Prerequisites: Enrollment in Slavic 133A; consent of instructor.

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Slavic 134N (3 units)
Anna Muza

NEW COURSE ADDED 5/24/04!
COURSE CONTROL # 79931

L&S Breadth: Arts & Literature

This course is cross-listed with Theater 166, Sec. 1.

The course is devoted to Chekhov’s short stories and plays, and the inner connections between his narrative fiction and dramatic art. In reading Chekhov’s work, we’ll examine his literary and dramatic strategies, and his place and role in contemporary Russian culture. In the year of one hundredth anniversary of his death, we’ll also specifically address his lasting impact on the cultural practices of the 20th century, and his overall modern relevance. The course will include several classroom screenings and discussions. There will be a few quizzes, a mid-term short paper, and a course paper.

The required texts include two published collections of short stories and plays, and a course reader.

Texts:

The Portable Chekhov. Edited by Avrahm Yarmolinsky. Penguin Books/ The Viking Portable Library.
Anton Chekhov’s Plays. Translated. and edited by Eugene K. Bristow. A Norton Critical edition.

Prerequisites: All readings and class discussion will be in English.

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Slavic 134R (1 unit)
Anna Muza

Research in Russian Literature for 134E

This course is designed to support a research project coordinated with Slavic 134E supervised by the instructor. Individual consultation with the instructor. Final research paper of 10-15 pages required.

Prerequisites: Enrollment in Slavic 134E; consent of instructor.

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Slavic 158/History 175A (3 units)
David Frick

Topics in Russian/East European/Eurasian Cultures:
"History of Poland-Lithuania"

This Course is Cross-Listed with History 175A

L&S Breadth: Historical Studies OR Social and Behavioral Sciences

This course will focus on the the development of identities within the constantly shifting borders of Polish-Lithuanian and Polish states. Among the topics: competing definitions-ethnic, confessional, linguistic, political-of Polishness; continuities and discontinuities in Polish history and historiography; Poland between East and West; the development of Polish self-perceptions; Jewish, Lithuanian, and Ukrainian identities in the Polish context; the Polish chapter in the events leading to the end of Communist hegemony in Eastern Europe. Readings will be drawn from three groups of sources: a) the textbook for the course, Norman Davies’ God’s Playground, plus b) related critical essays and c) primary sources (in English translation) ranging from religion and politics to belles lettres. The course’s format will combine lectures and discussion.

Texts: Norman Davies, God’s Playground, vols. 1 and 2, and a xeroxed reader.

Course requirements: readings; attendance in class and participation in discussion; a midterm exam; a final paper (7-10 pages) on a topic to be discussed with the professor. Option for graduate students: instead of the midterm and final papers, a research paper (ca. 15 pages) on a topic to be discussed with the professor.

Prerequisites: None

Slavic 158 is a Cultural Topics requirement for majors in the East European or Eurasian cultures track in the Slavic department.

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Slavic 181 (4 units)
Olga Matich

Readings in Russian Literature

L&S Breadth: Arts & Literature

The course has a dual purpose: 1) to improve your Russian reading, speaking, and writing skills; 2) to introduce you to nineteenth and twentieth century Russian literature and to textual analysis. All reading is in Russian; class is conducted in English and Russian. The language goals of the course are to increase your reading speed, comprehension of written and spoken Russian, and to learn how to discuss literature in Russian.

We will begin by reading contemporary short stories by Sergei Dovlatov, Tatiana Tolstaya, and Viktor Pelevin. The rest of the reading list will be selected in consultation with the class during the first week. The list could consist of texts that cover the nineteenth and twentieth centuries or contemporary literature of the last two decades. It could also consist of student favorites.

Besides reading and discussing the texts, there will be 3 to 4 written assignments. Each student will be expected to give one oral report, either as a short lecture or as an interactive presentation that engages the rest of the class. There will also be a final exam.

Texts: Reader.

Prerequisites: Ability to read and understand Russian at least at the third year level (Slavic 103A). Class can be taken concurrently with 103A.

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Slavic 200 (0 units)
The Staff

Graduate Colloquium

Reports on current scholarly work by faculty and graduate students. Must be taken on a satisfactory/unsatisfactory basis. Graduate students must enroll in the course every semester.

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Slavic 201 (2 or 3 units)
Anna Muza

Advanced Russian Proficiency Maintenance

Russian language maintenance course for graduate students from various disciplines. May be taken for 2-3 credits (2=2 classes per week; 3=3 classes per week). Mondays: focus on listening; Wednesdays: focus on reading and writing; Fridays: focus on speaking. Mid- and end-of-semester oral interviews.

Texts: none

Prerequisites:graduate standing or consent of instructor.

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Slavic 222 (4 units)
Johanna Nichols

Introduction to Descriptive Grammar of Slavic Languages

Survey of the phonology, morphology, and syntax of contemporary Russian, and some attention to selected issues in phonetics, semantics, sociolinguistics, colloquial usage, and discourse structure. The course is intended to serve as a review of Russian grammar, thorough description of important categories such as aspect and word order, and an introduction to best practice in applying linguistic analysis to concerns that come up in the Russian language classroom. Reading assignments approximately weekly. Analytic problems. Midterm exams (possibly take-home) and final.

Texts: Timberlake, A., Reference Grammar of Russian (Cambridge University Press); photocopied articles and texts.

Prerequisite: Slavic 103B or equivalent.

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Slavic 245B (4 units)
Irina Paperno

"Slavic 245B is cancelled for Fall 2004 but will be offered in Spring 2005."

Russian Realism

The course will examine Russian literature in the 1840s-1890s, focusing on the concept of "realism." Topics include: realism as an aesthetic theory and practice; institutions of literature (criticism, the press, writer's profession); the rise of the novel; ideology and literature; literature and science; Russia and the West, etc.

Main texts: Belinsky "Rech' o kritike" and private letters; from Fiziologiia Peterburga; Goncharov, Oblomov; Turgenev, Otsy i deti; Pisarev, "Bazarov"; Chernyshevsky, Chto delat?; Nekrasov's poetry; from "populist" writers (Gleb Uspensky; Reshetnikov); selections from Dostoevsky, Tolstoy, and Chekhov. Also theoretical writings: Auerbach, Wellek, Bakhtin, Lukacs, Lidiia Ginzburg, and others.

Workload: substantial reading (mostly in Russian), brief oral reports, research paper. Pass/no pass option: full class participation, no paper.

Prerequisites: reading knowledge of Russian; graduate standing or consent of instructor.

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Slavic 246B (4 units)
Olga Matich

Contemporary literature

The course treats post-Stalin and post-Soviet Russian literature and culture. Although it focuses on literature, it also includes the visual arts and film. Since most of the works of the Soviet era that we will read were forbidden in the Soviet Union, we will examine them in relation to their Soviet and post-Soviet reception with the purpose of establishing the differences between "old" and "new" Russian cultural politics. Among the works that we will consider through this double prism are Pasternak's Doktor Zhivago, selections from Solzhenitsyn's Gulag Arkhipelag, A. Tertz's Chto takoe sotsialisticheskii realizm, V. Erofeev's Moskva-Petushki, I. Brodsky's poetry, S. Sokolov's Shkola dlia durakov, and E. Limonov's Eto ia - Edichka. We will also read V. Aksenov's Zvezdnyi bilet and Iu. Trifonov's Dom na naberezhnoi, which were published in the Soviet Union, as well as some works of more contemporary writers: L. Petrushevskaia's Kvartira Kolombiny, V. Sorokin's Tridsataia liubov' Mariny, V. Pelevin's Chapaev i pustota, and short stories by S. Dovlatov and A. Kharitonov. The films we will view are Tarkovsky's Zerkalo, Motyl's Beloe solntse pustyni (Soviet “Eastern”), and Balabanov’s post-Soviet Brat.

We will not always follow strict chronology, moving back and forth in time to examine some of the important clusters of meaning that define the post-Stalin and post-Soviet eras. Discovery and revision of the past underlie cultural development in post-Stalin Russia. One of the more recent revisions of the past is the rereading of socialist realism, which was initiated by Chto takoe sotsialisticheskii realizm? and K. Clark's The Soviet Novel. In this context, we will consider D. Prigov's parodic poetry, Komar and Melamid's sots-art, and B. Groys's rereading of the relationship between the avant-garde and socialist realism in The Total Art of Stalinism.

Prerequisites: graduate standing or consent of instructor.

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Slavic 280, Section 1 (4 units)
Anne Nesbet

Graduate Literature Seminar: “Literature of the 1920s”

Detailed course description forthcoming.

Prerequisite: Graduate standing; consent of instructor.

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Slavic 280, Section 3 (4 units)
Ronelle Alexander

Graduate Linguistics Seminar: “South Slavic Sociolinguistics”

This seminar will focus on the sociopolitical context within which South Slavic languages have functioned over the last 150 years, with special attention to the breakup of "Serbo-Croatian" into component languages. Also to be covered are the Macedonian question, and the perception of "sociolinguistics" as a discipline within the South Slavic countries. Reading knowledge of at least one South Slavic language desired but not essential.

Texts: to be announced

Prerequisites: Graduate standing; consent of instructor.

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Slavic 281 (4 units)
Irina Paperno

Proseminar in Literature: Methods and Aims of Literary Scholarship

Introduction to the instruments of contemporary literary/cultural scholarship (analytical tools, research strategies, and reference sources) and to the profession.

Procedures: discussion of theoretical issues (text, intertext, cultural context, genre, reading, writer, literary history, etc.) and theoretical studies (Lotman, Bakhtin, Barthes, Derrida, Geertz, etc.); practical exercises in research and analysis. Analysis of a specific work: Tolstoy's "Anna Karenina."

The course is required of all beginning graduate students in Russian literature in the Department of Slavic Languages and Literatures. Requirements: brief oral reports and research assignments; final paper.

If you plan to take this course, try to re-read "Anna Karenina" (in the original) in summer.

Books: get a copy of a reliable scholarly edition of "Anna Karenina" and a reference source: Irena Makaryk, Encyclopedia of Contemporary Literary Theory (University of Toronto Press, 1993) (not ordered by the university bookstore)

Questions? e-mail ipaperno@socrates.berkeley.edu.

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Slavic 282 (4 units)
Johanna Nichols

Proseminar in Linguistics: Methods and Aims of Linguistics Scholarship

Detailed description is forthcoming.

Prerequisites: graduate standing or consent of instructor.

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Slavic 301 (3 units)
Lisa Little

Slavic Teaching Methods

This course is required of all Graduate Student Instructors of Russian, Bulgarian, Czech, Polish, and Serbian/Croatian.

Course to be repeated for credit each semester of employment as graduate student instructor. Course on practice and theory of teaching. Required of all graduate student instructors in Slavic. Must be taken on a satisfactory/unsatisfactory basis.

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Slavic 310 (2 units)
The Staff

Internship in the Teaching of Literature/Linguistics

Weekly meetings with the instructor of the designated course. Discussion of course aims, syllabus preparation, lecture and assignment planning, grading and related matters. Students may prepare a representative portion of the work for such a course (e.g. lecture outline and assignments for a course segment) and may participate in presentation of the material and in evaluation of samples of student work. May be repeated for credit.

Prerequisites: Slavic graduate student status and consent of instructor.

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East European Studies Courses

East European Studies 1A (3 or 4 units)
Agnes Mihalik

Elementary Hungarian

THIS 1A-1B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
The beginning course aims at developing the fundamentals of language proficiency through conversational practice, and oral and written assignments. Its most important goal is to provide the students with the requisite vocabulary and grammatical structures to carry on an idiomatic conversation in a variety of situations. It offers selections from Hungarian poetry and folk songs to help students gain a better understanding of Hungarian culture. Frequent oral and written assignments will be given; there will be a midterm and a final exam.

The course can be taken for either 3 or 4 units; the additional unit involves language laboratory work and additional written reading assignments.

Texts:
Hlavacska, Hoffmann, Laczko, & Maticsak, Hungaro Lingua 1, Magyar nyelvkonyv
Hlavacska, E., Hungaro Lingua 1, Nyelvtani munkafuzet
Hlavacska, Hoffmann, Laczko, & Maticsak, Hungaro Lingua 2, Magyar nyelvkonyv
Hlavacska, E., Hungaro Lingua 2, Nyelvtani munkafuzet
Keresztes, L., Hungaro Lingua G, Practical Hungarian Grammar

Prerequisites: East European Studies 1A or consent of instructor.

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East European Studies 100 (2 units)
Agnes Mihalik

Advanced Hungarian Readings

The purpose of this class is to further develop the students' level of proficiency of Hungarian in speech as well as in writing. A major component of the curriculum is based on student presentation of a topic chosen by each student in the class. Each student is to give two oral presentations during the semester. Materials for reading are selected by the instructor as well as by the students for home reading. Workload will include a reasonable amount of reading and writing assignments. Midterm and final exams, and the student's attendance and participation will provide the basis for grading.

Texts:
Hlavacska, Hoffmann, Laczko, & Maticsak, Hungaro Lingua 2, Magyar nyelvkonyv
Hlavacska, E., Hungaro Lingua 2, Nyelvtani munkafuzet

Prerequisites: East European Studies 1A-lB or consent of instructor.

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Eurasian Studies Courses

Eurasian Studies 289, Section 1 (2-4 units)
Johanna Nichols/The Staff

Studies in the Languages of the Caucasus and Central Asia: “Georgian Language and Culture”

(a) Beginning course, for students with no previous knowledge of Georgian. The course will the alphabet, vocabulary, grammar, and pronunciation and all four skills.

(b) Continuing Georgian, for students who have previous experience or basic knowledge of the Georgian language. The course will cover grammar, conversation and writing on the intermediate level. The course will be focusing on the topic of how closely the language relates to the traditional culture. Readings will include historical and ethnographic texts, literary pieces, and folk tales and poetry.

For additional information about this course please consult: the website.

Texts

Required:
Cherchi, Marcello. Georgian. Munich: LINCOM Europa. ISBN 3 89586 119 7
Hewitt, George. Georgian Reader with Texts,Translation and Vocabulary. London: SOAS. ISBN 0728602520

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Eurasian Studies 289, Section 2 (2-4 units)
The Staff

Studies in the Languages of the Caucasus and Central Asia: Beginning Uzbek

Beginning course in Uzbek, with instruction in all four skills.

Intermediate Uzbek, with instruction in all four skills. Continuing students of Uzbek should contact the Slavic Department in advance if possible, and attend a planning meeting to be scheduled during the first week of the semester, in which the pace, coverage, and level of intermediate Uzbek will be determined.

Both courses are open to undergraduates.

Texts: to be announced.

Prerequisites: Consent of instructor.

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Eurasian Studies 289, Section 3 (2-4 units)
The Staff

Beginning Armenian

As the only Armenian language class, this course accommodates both beginning and intermediate students and lets them learn at their own level and their own pace. It also allows students to choose between the two literary dialects of Armenian (Eastern and Western) and encourages the interface between the two and the study of their commonality and differences.

Among the requirements are weekly assignments, two midterms, and a term project with a final presentation. Texts depend on level of knowledge of language.

Both courses are open to undergraduates.

Texts: to be announced.

Prerequisites: Consent of instructor.

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Courses by numbers

Russian:
1,2   3,4   6   103a   105a   109   114   120a   201  

Other Slavic Languages:
25a   26a   27a   115a   116a   117a   118a  

Reading And Composition Courses:
R5a-1   R5b-1   R5b-2  

Literature And Culture Courses:
39J   45   50    133A   133R   134E   134R   158   181  

Graduate Courses:
200   210   280-1   280-3   281   282  

Courses In Pedagogy:
301   310  

Eurasian Studies:
289-1   289-2   289-3  

East European Studies:
East European Studies 1a   East European Studies 100  

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